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The Best Box Sets of 2020

Here are the year’s best archival deep dives

Photographs used in illustration by Getty Images, 2; AP

We certainly have more time than usual to drill down and rediscover works by great artists, and 2020 offered a treasure trove of options, including expanded editions of classics by Prince and Tom Petty, rich overviews of Bob Marley, John Prine, and Richard and Linda Thompson, and much more.

From Rolling Stone US

The Replacements, ‘Pleased to Meet Me (Deluxe Edition)’

Pleased to Meet Me was the sound of the Replacements trying for once. This new box set shows how the album could have been even better. They lost some of their danger, recording the very produced LP as a trio with a supporting cast of thousands, yet still managed to cough up two all-time classics — the beat-skipping “Alex Chilton,” on which you can hear Paul Westerberg exuberantly catching his breath, and the mellow love letter “Can’t Hardly Wait.” The Replacements recorded a lot of music around Pleased to Meet Me, much of which came out on various singles and compilations, as well as demos, alternate versions of songs, and tunes that for whatever reason were forgotten in the back of the beer fridge. The most interesting stuff here is in the Blackberry Way Demos, some of which came out on a previous expanded edition of the album. Eight of the tracks feature some of lead guitarist Bob Stinson’s last recordings with the band, and his whiplash snarls on “I.O.U.,” rockabilly shredding on “Time Is Killing Us,” and tasteful accents on “Valentine” show what the album could have been. K.G.(FIND IT HERE)

Pylon, ‘Pylon Box’

Pylon came out of the small college town of Athens, Georgia, at the dawn of the Eighties, playing a new kind of Southern rock that influenced bands from R.E.M. to Sleater-Kinney at the time, and has continued to make converts ever since. Spare but fun, disorientating but inviting, their sound was in step with the stentorian dance punk of U.K. bands like Gang of Four and the Au Pairs, but much more wide-open. Containing the band’s two early-Eighties albums (1980’s Gyrate and 1983’s Chomp), a recording of a 1979 rehearsal, and a singles/demos/outtakes disc, Pylon Box tells the story of art-student refugees living in the middle of nowhere who used their very remoteness to create freedom and invention out of unique and, in some ways, contradictory impulses. It’s exactly the deep dive their incredible legacy deserves. J.D.(FIND IT HERE)

Neil Young, ‘Archives Volume II (1972-1976)’

As soon as the pandemic hit and musicians couldn’t tour, Young spent his time churning out archival releases, from the excellent lost 1975 album Homegrown to Return to Greendale. He capped his productive year off with the long-awaited Archives Volume II (1972-1976), more than a decade after its predecessor. These 10 discs offer a stunning look back at his prolific peak, when he was releasing music faster than his label could keep up with. There are 12 previously unreleased gems, from “L.A. Girls and Ocean Boys” to “Greensleeves.” Some of the highlights include Young covering a few seconds of Sonny and Cher’s “I Got You Babe,” Stephen Stills joining him on a “Separate Ways” jam, and Young backing Joni Mitchell on “Raised on Robbery.” If 2020 taught us anything, it’s that not even a pandemic could stop Young from delivering to fans. A.M.(FIND IT HERE)

Prince, ‘Sign O’ the Times (Super Deluxe Edition)’

Prince’s 1987 double album was an eclectic funk-pop-rock-R&B-gospel-novelty hodgepodge of songs about love, sex, and Jesus that ended up being a masterpiece. It seems like even more of an achievement after sifting through the nearly four hours of previously unreleased tracks like “Love and Sex” on Sign’s super-deluxe reissue. He had no singular vision at the time: He was recording songs for a double LP called Dream Factory; a triple LP titled Crystal Ball; a novelty side project where he sped up his voice like a Chipmunk and called himself Camille; a stage musical he wisely abandoned; a project for Bonnie Raitt; a collaboration with Miles Davis; and on and on. It’s impossible to trace his thought process, which makes it all the more exciting to find the diamonds he left in the vault. K.G.(FIND IT HERE)

Paul McCartney, ‘Flaming Pie: Deluxe Edition’

In the mid-Nineties, McCartney revisited his Beatles years for the Anthology doc, got knighted, and hosted a freewheeling radio show, Oobu Joobu. Those experiences put him in an excellent frame of mind for whipping up 1997’s Flaming Pie, a sturdy George Martin-produced potpourri of rockers, ballads, and jams, including high-water marks like the gloriously soppy “Beautiful Night,” and the John Lennon-inspired title track. McCartney puts Flaming Pie under a microscope on the super-deluxe reissue with home recordings, studio run-throughs, outtakes, and a whole lot of Oobu Joobu. His home demos are sparse and intimate, but what pulls it all together are the inclusions of excerpts from the radio shows and a one-hour documentary guided tour of his home studio. It’s a box set where the extra pieces really help complete the puzzle. K.G.(FIND IT HERE)

Elton John, ‘Jewel Box’

Elton already has one career-spanning box set behind him, the out-of-print To Be Continued…, but Jewel Box goes out of its way to be a very different beast. Its eight discs include a substantial chunk of unheard early material, but they sit alongside an even bigger batch of songs that have already been released in one form or another, either on albums or singles. Jewel Box doesn’t just clean out the closet but the whole house. The jewels of the box are those pre-fame recordings from the late Sixties, which take up three discs. As a psychological study, Jewel Box is fascinating; it’s Elton imagining an alternate universe in which “(Gotta Get a) Meal Ticket,” and not “The Bitch Is Back,” is his most beloved rocker, or “I Think I’m Going to Kill Myself” tops “Crocodile Rock” as a crowd-pleasing jaunty rocker. D.B.(FIND IT HERE)

Bob Marley, ‘The Complete Island Recordings’

To commemorate Marley’s 75th birthday, the reggae legend’s entire catalog in getting a deluxe reissue on CD and vinyl half-speed remasterings. Beginning with classic Wailers albums like Catch a Fire and Burnin’, both from 1973, which brought Marley’s music to a large international audience, and moving through Seventies gems like Exodus and Natty Dread up to the final recordings before his death, 1980’s Uprising, and the posthumous Confrontation, Marley created one of the most peerlessly influential catalogs in pop music. This reissue series includes his mega-platinum greatest-hits album Legend, as well as the live sets Live! and Babylon by Bus. In early 2021, a limited edition run of Marley’s albums, pressed and numbered at Tuff Gong International headquarters in Kingston, Jamaica, will also be available; included in that batch will be the original Jamaican version of Catch a Fire. J.D.  (FIND IT HERE)