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10 Best Beatles Books

Dishy tell-alls, fact-crammed studio logs and more essential Fab Four literature

English musician George Harrison of the Beatles at the Apple Corps Headquarters, London, September 1968.

Baron Wolman/Iconic Images/Getty Images

Considering that it takes some formidable organizational chops to serve as a competent Beatles bibliographer, it can be downright daunting if you’re coming to the stacks of Fab Four literature as a neophyte reader wondering where you might start. For those are some buckling shelves, filled with worthy tomes, arresting diversions, gossipy trivia and dense accounts of what kind of gear the band used, who their tailors were, how many times per annum they visited the dentist, etc.

Romantic other-halves have weighed in on the story/saga side of things; ditto competing rivals, A&R men, siblings, business associates, sacked partners. There is a lot of dross. But considering that we’re talking hundreds of books, there are some top-drawer offerings as well.

Philip Norman is an old hand with Beatles-based scholarship, and his massive bio, Paul McCartney: The Life, provides a nice opportunity to survey those shelves of Beatles lit. Here’s a look at 10 of the other best Fab Four volumes to check out.


‘The Love You Make: An Insider’s Story of the Beatles,’ by Peter Brown and Steven Gaines

The scandalous choice. This 1983 gossip orgy was a huge seller, and it brought the dirt, thanks to Brian Epstein assistant Peter Brown. Is it akin to Gibbon? No – it’s very clickbait-y, paperback-style, but it does capture the spirit of the Beatles as a unit, and as individuals, like little ever has. You might even say as well as the Beatles themselves did on their own. The band possessed a strange alchemy in that there was something about them, and their music, that fostered works not by them but which were very Beatlesque works nonetheless. The Yellow Submarine film is another example. Reading The Love You Make feels, at times, illicit, and if a book can give you a contact high, this would be it.

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‘Revolution in the Head,’ by Ian MacDonald

Woe that MacDonald didn’t write more – he committed suicide in 2003 – but this is a major work quite apart from the Beatles book repository. He takes on every song, and some sacred cows are off to that processing plant never to return home again. One wonders how such eviscerations would be greeted in the Internet age. MacDonald has no problem telling you he thinks some beloved work sucks – like “Lucy in the Sky with Diamonds” – which is fine, but what is better is that he backs it up. Do you have to agree? Hell no. We’re not here to agree, we’re here for an experience: to think, to challenge old saws, to see, too, things we loved anew, and better. That teacher who changed your life when you were a kid was not the one who dispensed the easy A’s, but rather the one who made you work, and MacDonald is a tough grader. This is the Beatles book to read a dozen times. Every pass through brings something new. Also, while the critical reputation of Sgt. Pepper has been eclipsed in recent years by Revolver, Rubber Soul, and Abbey Road – with the White Album and A Hard Day’s Night making progress, too – MacDonald just flat out gets that album better than any other writer on record. Even when he’s panning individual parts of it, he knows, and he helps you know, how the totality is something else entirely, and that this is one of the key documents of Western Civilization.

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‘Love Me Do! The Beatles’ Progress,’ by Michael Braun

The first, and what I’d maintain as the best, Beatles book is one even most Beatles fans are unaware of. Hasn’t helped that it tends to dip out of print, but this is as close to a Beatles ride-along as you’ll get, with American writer Michael Braun following the band at the end of 1963 and into the early phases of the U.S. invasion the following year. Lennon himself, in the Wenner book, singled out this one as better than the Davies, a true book that portrayed them as they were: as bastards, in his word. And, yeah, there’s some of that. They make cracks at the expense of Jews, the disabled, gays. A lot of it is in a blow-off-steam kind of way, and Braun does a compelling job of conveying the non-stop pressure the group was under. In some ways they can’t handle it, and sleep away huge amounts of time; in other ways, they do what they do, and write songs no one else could touch. The Beatle wit is depicted better here than in any other book, and if the four, and their patter, were in effect a hermetically sealed entity so designed as to better take on the world, this is your chance to crack the fold.

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