The Jonas Brothers have shared a new single, “Love Me to Heaven.” The rousing pop number is the trio’s debut release of 2025 and comes ahead of their 20th anniversary celebration, JonasCon.
“Could give me everything, but it ain’t enough/ You can’t put a price on the human touch,” the group sings on the propulsive track. “I could be down, but you love me to heaven/ Turns out the Northern Lights don’t impress me much/ Guess I’m just a fool for the human touch/ I could be down, but you love me to heaven.”
JonasCon is scheduled for this Sunday, March 23, at American Dream in New Jersey. The event will celebrate 20 years of Jonas Brothers with live performances, DJ sets, Q&A panels, fan activations, special guest appearances, and more.
“To Our Incredible Fans. As a family, we have been reflecting a lot lately… It’s been 20 years since we started this journey together,” the Jonas Brothers wrote in a letter to fans. “Together, we have celebrated wins, made mistakes, overcome obstacles, and grieved losses. Put simply: we’ve all grown up together. It’s seemingly impossible to put our appreciation into words. None of this would have been possible without you. You’ve shown up for us. Rooted for us. Encouraged us. And inspired us.”
They continued: “We’ve made memories with you at shows, bumped into you on the street, run into you at airports, and read your amazing stories on socials. We treasure our connection with you as much today as we did when we played our first show. We are celebrating this wild 20-year journey by doing what we love, and we can’t wait to share it with you. 2025 will be a year of music: New Jonas Brothers music. Solo music. A live concert album. And a soundtrack.”
Later this year, the Jonas Brothers will also return to their Disney roots with a new Christmas movie. According to a log-line, the film will boast a very classic home-for-Christmas plot, following brothers Nick, Joe, and Kevin as they “face a series of obstacles as they struggle to make it from London to New York” in time for the big holiday.
From Rolling Stone US
