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Best Australian and New Zealand Music of the Week: PNAU, Kaylee Bell, Grace Cummings and More

Keep up to date with local music through our weekly release roundup, featuring PNAU, Kaylee Bell, Grace Cummings and many more

PNAU press shot

PNAU

Evan Tetreault

As the best place for music coverage in ANZ, Rolling Stone keeps you up to date with local music through our weekly release roundups.

We’ve combined our Australian and Aotearoa music roundups into one major list covering both countries, bringing the best local releases to more of our readers. Because why should Aussie music fans miss out on the incredible music being made by Kiwi artists, and vice versa?

Check out our new and improved roundup below, covering the best ANZ releases between May 23rd-May 31st.

The Broken Heartbreakers press shot

The Broken Heartbreakers, ‘How Long Is Too Long’

Aotearoa indie stalwarts The Broken Heartbreakers are back with new single “How Long Is Too Long”.

The tender single leads their forthcoming fourth album, Imagine If We Could Just Keep Driving, out on July 17th via Nadia Reid’s Slow Time Records.

Otepoti Dunedin-based songwriters Rachel Bailey and John Howell make up The Broken Heartbreakers, who Reid says “are such gifted writers, observers, singers, and players.”

Lottie McLeod press shot

Lottie McLeod, ‘Sunburnt’

Lottie McLeod marks her new EP announcement with new single “Sunburnt”.

“Sunburnt” is about a fleeting relationship, filled with tongue-in-cheek lyrical observations by the Brisbane-based singer-songwriter. It’s the lead single from The Boat House EP, which McLeod will release on September 25th.

“‘Sunburnt’ is about a person I was seeing for not even a month, I felt such a strong connection with this person but I also hardly knew him,” McLeod explains.

“I had just gotten back from a beach day with my mum, a little sunburnt — I’m a sucker for metaphor. I liked this guy. A LOT. Talking everyday, dates, future planning, dinner with the parents. Our last date was the closest I had ever felt to him — I spent the night and the next morning he asked to go to breakfast that weekend, where he ended things.

“I was so disappointed and confused, I really wanted to know him on a deeper level, see his ugly side, have some sort of future with him. He never gave me a chance to show him how beautiful it could’ve been, but I knew it was something I just had to let go because there was nothing to hold on to.

“There was this self reflection at the time, asking myself ‘why would I try to win back a stranger…  That would be silly!’ — I wrote this song instead.”

Mia Wray press shot

Mia Wray, ‘Isn’t It Funny’

Mia Wray shares “Isn’t It Funny”, her second single of the year so far.

The song follows the ARIA-nominated singer-songwriters biggest support slot to date, backing up the one and only Ed Sheeran on his ANZ stadium tour.

“This song is about two best friends slowly outgrowing each other — how someone can go from feeling like family to becoming a complete stranger,” she explains.

“Xavier Dunn and I wrote this song together, and I was drawing from personal experience around that kind of loss… that strange feeling when you run into someone you once did everything with and feel that painful throb in your chest because you miss them deeply, but also know that if you sat down together today, you’d barely recognise each other anymore.

“Sometimes love is still there, but the connection isn’t — and they no longer belong in your life the way they once did.

Heartbreaking stuff…in some ways, I think losing a friend can hurt even more than a romantic breakup. There’s no clean ending to hold onto — just a slow grieving of someone who’s still out there, living a life that no longer includes you.”

Ammonita press shot

Ammonita, ‘Walnut’

Ammonita are yet another promising new Ōtepoti Dunedin band, and this lot are grungy.

The monumental “Walnut”, their debut single, combines battering drums, distorted guitars, and a memorable lead vocal performance to exciting effect, the five-piece’s interplay already belying their career infancy.

“The song is about the pain of a long-distance relationship,” they explain. “We all wrote this song together, with Paige ‘Sumner] drawing the meaning of the song through her personal experiences and projecting that into the lyrics.”

Ammonita, made up of Paige Sumner, Zoe Eckhoff, Iván Fernandez, Mason O’Connell, and Karl Young, have been building up their reputation around Dunedin’s live music circuit before unleashing their first song. 

Angus Legg press shot

Angus Legg, ‘Like I Never Left’

Melbourne singer-songwriter Angus Legg announces his debut EP with its final single.

“Like I Never Left” is the final preview of the forthcoming A Long Time Gone, out on June 25th via Community Music.

Legg’s new single is a companion piece to his previous release “12th of May”, finding himself on the other side of a momentous move overseas, returning to familiar surrounding and hoping everything is just as he left it.

“’Like I Never Left’ is about coming home, carrying the quiet uncertainty of whether ‘home’ is still waiting on the other side,” as he explains. “In this story, home isn’t a place, it’s a person.

“Where ‘12th of May’ captures the day I left — full of grief and uncertainty — ‘Like I Never Left’ lives in the return, holding onto the blind hope that what you had might still be there.”

Joe Mungovan press shot

Joe Mungovan, ‘Melodrama’

Joe Mungovan ponders the emotional merry-go-round that is modern life on new single “Melodrama”.

Produced by Robby De Sa (MAY-A, The Veronicas), the song finds Munogvan drawing influence from the likes of Gorillaz, Kasbian, and DMA’S.

“I think ‘Melodrama’ came from feeling overwhelmed by the world and how performative everything can feel now,” Mungovan shares.

“Everyone’s chasing something, selling something, escaping into something… but underneath all of that, I still think people just want to connect and feel loved.

“The song’s kind of sarcastic and cynical on the surface, but there’s also this genuine message in there of ‘be kind and good to one another,’ because at the end of the day, that’s really the only thing that cuts through all the nonsense.”