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All 206 of Taylor Swift’s Songs, Ranked

From teen country tracks to synth-pop anthems and rare covers, a comprehensive assessment of her one-of-a-kind songbook through the Folklore and Evermore era

Image of Taylor Swift

From teen country tracks to synth-pop anthems and rare covers, a comprehensive assessment of her one-of-a-kind songbook through the 'Folklore' and 'Evermore' era

Taylor Swift the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist. But Swift was a songwriter before she was a star, and she’ll be a songwriter long after she graduates from that racket. It’s in her music where she’s made her mark on history — as a performer, record-crafter, guitar hero and all-around pop mastermind, with songs that can leave you breathless or with a nasty scar. She was soaring on the level of the all-time greats before she was old enough to rent a car, with the crafty guile of a Carole King and the reckless heart of a Paul Westerberg — and she hasn’t exactly slowed down since then.

So with all due respect to Taylor the myth, the icon, the red-carpet tabloid staple, let’s celebrate the real Taylor — the songwriter she was born to be. Let’s break it down: all 206 tunes, counted from the bottom to the top. The hits, the flops, the deep cuts, the covers, from her raw 2006 debut as a teen country ingenue right up to Folklore, Evermore, and her Taylor’s Version series.

Every fan would compile a different list — that’s the beauty of it. She’s got at least 5 or 6 dozen songs that seem to belong in her Top Ten. But they’re not ranked by popularity, sales or supposed celebrity quotient — just the level of Taylor genius on display, from the perspective of a fan who generally does not give a rat’s nads who the songs are “really” about. All that matters is whether they’re about you and me. (I guarantee you are a more fascinating human than the Twilight guy, though I’m probably not.)

Since Taylor loves nothing more than causing chaos in our lives, she’s re-recording her albums, including the outtakes she left in the vault before. So far, she’s up to Fearless and Red. For the Taylor’s Version remakes, both versions count as the same song. It’s a tribute to her fierce creative energy — in the past couple years she’s released an avalanche of new music, with more on the way. God help us all.

Sister Tay may be the last true rock star on the planet, making brilliant moves (or catastrophic gaffes, because that’s what rock stars do). These are the songs that sum up her wit, her empathy, her flair for emotional excess, her girls-to-the-front bravado, her urge to ransack every corner of pop history, her determination to turn any chorus into a ridiculous spectacle. So let’s step back from the image and pay homage to her one-of-a-kind songbook — because the weirdest and most fascinating thing about Taylor Swift will always be her music.

How to Watch Taylor Swift’s Acoustic ‘Folklore’ on Disney+

From Rolling Stone US

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1

“All Too Well” (2012-2021)

So casually cruel in the name of being awesome. This towering ballad is Swift’s zenith, building to peak after peak. For “All Too Well,” she teams up with her songwriting sensei Liz Rose to spin a tragic tale of doomed love and scarves and autumn leaves and maple lattes. And her greatest song just got even greater in the definitive 10-minute version, with Taylor digging up her lost verses, to bring it to a whole new level of All Too Unwell. What kind of artist takes her own masterpiece and tears it all up? This one. Only this one. Result: an even bolder masterpiece.Every version of “All Too Well” tells a different story. There’s the “Sad Girl Autumn” version from Long Pond Studio, with Aaron Dessner on piano. The acoustic-guitar solo version from the theater premiere for her short film. But each version feels like it’s all her, because this isn’t really a song about a boy — never was. It’s about a girl, her piano, her memory, and her refusal to surrender her most painful secrets, even when it’s tempting to forget.It’s full of killer moments: the way she sings “refrigerator,” the way she spits out the consonants of “crumpled-up piece of paper,” the way she chews up three “all”’s in a row. No other song does such a stellar job of showing off her ability to blow up a trivial little detail into a legendary heartache. That scarf should be in the Rock & Roll Hall of Fame, though in a way it already is. You can schaeden your freude all over the celebrity she reputedly sings about, but on the best day of your life you will never inspire a song as great as “All Too Well.” Or write one.Best line: “Maybe we got lost in translation/Maybe I asked for too much/Maybe this thing was a masterpiece till you tore it all up/Running scared, I was there, I remember it all too well.” Listen here.