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INXS Photo Essay: From the Collection of Photography Icon Chris Cuffaro

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  • MICHAEL THE ICON - chris cuffaro
  • THE PROVOCATEUR - chris cuffaro
  • LIVE WIRES - chris cuffaro
  • NEW SENSATION - chris cuffaro
  • DEARLY BELOVED chris cuffaro
chris-cuffaro inxs
MICHAEL THE ICON - chris cuffaro
THE PROVOCATEUR - chris cuffaro
LIVE WIRES - chris cuffaro
NEW SENSATION - chris cuffaro
DEARLY BELOVED chris cuffaro

STAGE-READY

Ottawa Civic Centre, August 3, 1988
Chris Cuffaro took this shot right before INXS went onstage in Ottawa, Canada for the first show on the North American ‘Calling All Nations’ Tour. “I’m trying to walk backwards without falling on my ass — which I have done many times with bands,” laughs Cuffaro.
Chris Cuffaro

MICHAEL THE ICON

Studio 46 in LA, October 1, 1993
Cuffaro’s solo sessions with Michael Hutchence for Detour Magazine spawned some of the most iconic photographs in music history. “The guy doesn’t take a bad picture. It’s that less is more thing, he doesn’t have to try so hard, he just was truly him.”
Chris Cuffaro

THE PROVOCATEUR

Studio 46 in LA, October 1, 1993
Cuffaro had learned of Hutchence’s kinky side prior to the shoot, so brought along a leather mask and blindfold which he introduced right at the end of the session. “I pulled out the mask and the blindfold and he just grinned like a cheshire cat. He says, ‘Yeah let’s do this’, and he put the mask on while smoking a cigarette. He just had fun with it.”
Chris Cuffaro

LIVE WIRES

Ottawa Civic Centre, August 3, 1988
Cuffaro’s first and only time catching INXS live was from the pit at this show in Ottawa. As one of the few photographers who refuses to adhere to the ‘three songs no flash rule’, Cuffaro captured the band in various states of undress and frenzy. “I would never shoot a show if I was only going to get three songs,” Chris Cuffaro says. “The really good stuff is always later in the show when they’re all sweaty and rocking out.”
Chris Cuffaro

NEW SENSATION

Ottawa Civic Centre, August 3, 1988
“I was blown away by Michael; the charisma was unreal,” Cuffaro tells Rolling Stone. “You couldn’t keep your eyes off of him. If there were other guys in the band I didn’t notice them.”
Chris Cuffaro

DEARLY BELOVED

Studio 46 in LA, October 1, 1993
Taken four years before Michael Hutchence’s untimely death on November 22, 1997, this photograph for Detour Magazine expresses his loveable yet mystifying side, something which is still being unpacked to this day. “It didn’t matter if I was shooting him or just hanging out,” says Cuffaro, “he was the same… nice. I miss him to this day, just like everyone else.”
Chris Cuffaro
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September 19, 2022

INXS Photo Essay: From the Collection of Photography Icon Chris Cuffaro

Photographs taken by Chris Cuffaro of INXS in 1988, and of the late Michael Hutchence in 1993, documented signpost moments in a career-defining era for the Sydney band. Cuffaro’s unparalleled access at the time, paired with his unique view of musicians themselves, captured two things: INXS’ transition into global music heavyweights as they rode the tsunami of their 1987 album Kick, and Hutchence’s enigmatic status as rock music’s Australian sex symbol.

The record, which celebrates its thirty-fifth birthday this year, marks the band’s highest and longest-charting album in the US. It saw four of its singles — “New Sensation”, “Never Tear Us Apart”, “Devil Inside”, and “Need You Tonight” — hit the Top Ten in the US, with the latter marking the band’s first and only chart-topper.

A creative genius who has clocked over three decades in the business as a photographer, director and producer, Chris Cuffaro is a rockstar in his own right. His lens has captured the likes of Nirvana, George Harrison, George Michael, Iggy Pop, Chris Cornell and Eddie Vedder, among many others; but it was this first encounter with INXS that led to some of history’s most iconic photographs of Michael Hutchence.

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