Abel Tesfaye, better known as The Weeknd, is an enigma.
Standing in Sydney’s Accor Stadium, fans sung along to nearly every song of in the Canadian artist’s oeuvre, without knowing too much about the man behind the music. His lyrics offer only a tantalising glimpse into his life, and he remains one of pop culture’s most elusive figures.
Fresh from a collaboration with Travis Scott at Allianz Stadium, The Weeknd’s set seamlessly bridged the gap between a vibrant music festival and a transcendent sermon.
After a dazzling lineup of opening acts – including Australian DJ Anna Lunoe, Toronto R&B sensation Chxrry22, and multi-instrumentalist Mike Dean – the anticipation in the air was electric. Fans had been waiting for this moment, especially since The Weeknd’s December 2023 shows were postponed due to “logistical restraints.”
As visuals of an Edwardian door flickered across the supersized screen, the stage transformed into a breathtaking cathedral, complete with towering turrets. The roar of tens of thousands in this sold-out show signalled our willingness to enter the artist’s church.
With a resounding bang of a drum, he emerged from the third level of his sanctuary, launching into “The Crowd,” a new track from his highly anticipated album Hurry Up Tomorrow. Instantly, the audience was swept into his world. Draped in clerical robes, The Weeknd sang with gravitas, his red-cloaked followers captivated by his every word.
“Sydney, it’s been way too fucking long,” he declared, looking down at his loyal devotees. As he dove into “Wake Me Up,” another cut from his forthcoming album, it became clear this night was packed with surprises.
@nicwkelly The Weeknd called Sydney Night 1 his favourite crowd yet – then played us a brand new song #hurryuptomorrow #theweeknd #sydney
The setlist flowed effortlessly as he transitioned into hits like “Can’t Feel My Face” and “The Hills.” Each song ignited bursts of fire from the stage, as if he were guiding us on a journey from hell to heaven. “It’s all a lot to take in,” he remarked, “but we’re just getting started, Sydney.”
In addition to his originals, The Weeknd delivered stunning covers, including Kanye West’s “Hurricane,” Future’s “Low Life,” and Metro Boomin’s “Creepin’.” He infused each cover with his signature style, reworking lyrics and adding personal touches.
Closing with “Too Late,” the lights dimmed for a moment before he surprised the audience with an extended set. “I want to give you guys an exclusive,” he shouted, as “Open Hearts” resonated through the stadium, driven by an infectious EDM beat crafted by Oscar Holter and Max Martin. The night culminated in a breathtaking rendition of “Moth to a Flame,” complete with fireworks illuminating the sky.
With every note, the power of The Weeknd’s vocals was undeniable – rivalling greats like Michael Jackson, he possesses one of the most magnetic voices of his generation. On his Australian tour, he proved to be at the top of his game, preaching to a choir of adoring fans.
