The Ultimate Mother’s Day Playlist

Don’t do that!

Do this!

Of all the many women in Aubrey Graham’s songs, none has a place in his heart like his mother Sandi. “Look What You Done” is a highlight from Take Care, where Drake thanks the women of his family: his aunt, his grandmother, but especially his mother. He recalls her health struggles and their arguments, but he promises her, “After all the things that we’ve been through, I got you.” 

One of Dolly’s most beloved songs—a down-home ballad about growing up in a poor family with a mama who taught her what love is all about, sewing her a coat from a box of rags. Dolly has given the world so many different mother figures, but they’re not all saints—as in “Travelin’ Man,” on the same Coat of Many Colors album, where her mama steals her guy. 

So many rap classics about the heroic moms who held it down, from Snoop Dogg’s “I Love My Momma” to Biggie’s “Juicy” to Nas’ “Dance.” But Tupac did the most famous of them all with “Dear Mama,” paying tribute to the Black Panther revolutionary Afeni Shakur. As Pac says, “Ain’t a woman alive that could take my mama’s place.”

“When they say, ‘She get it from her mama’? I’m-a say, ‘You fucking right.” Any questions? Respect due to Victoria Monet’s mama and the fierce daughter she raised.

Paul McCartney sends out a prayer to his real-life Mother Mary, a Liverpool nurse who passed away when he was just a boy of 14. But in times of trouble, he still hears Mary McCartney’s voice, speaking words of wisdom. “Let It Be” has been a light in the darkness for listeners ever since. 

John Lennon, like Paul, lost his mother at a young age, and like Paul, he wrote a tribute that taught the world to say her name. “Julia” is a tender White Album love song, from a free-spirited son to his equally free-spirited mother. No rock band ever mythologized their mothers like The Beatles—even Ringo gave his Mum an entire album of her favorite songs in Sentimental Journey.

Taylor has spent her whole life singing the praises of Andrea Swift, but never more beautifully than in “The Best Day.” It’s a tearjerker for sure, telling their whole mother/daughter story. Every time Taylor performs live, one of the fan-fave moments is right before the show when Andrea walks to her seat and gets her own ovation.

The Wu-Tang Clan’s Iron Man gives it up to the iron woman who raised him, saying, “This is dedicated to all the families that went through the struggle.” He gets real about how his mother (“my earth”) and grandmother kept the family together in the bleakest poverty, even the times when “mommy wasn’t strong enough.” It’s one of the rawest, most poignant rapper’s-mama tributes, with Mary J. Blige adding her heavenly soul vocals. Ghostface updated it in “Momma” on Fishscale, except with a lot more money, promising “I’ll Dior you out.”

So much good advice to be learned from the wise moms of Sixties girl-group pop. In Motown, Diana Ross and the Supremes took their troubles to “Mother Dear”; over in Chicago, Jan Bradley sang “Mama Didn’t Lie.” But the sentimental faves have to be The Shirelles, who get through tough times by remembering, “Mama said there’ll be days like this.”

Hag’s ultimate outlaw tale, sung from behind the bars of a jail cell. He grew up the rebel child of the family, while his saintly mama cried over him. Turning 21 in prison, doing life without parole, Merle recalls how she struggled to raise him right. But as he sings, “That leaves only me to blame, ‘cause mama tried.”

A short interlude on Golden Hour, only 1:18 long, but straight from the heart, as Kacey sings about living too far away from her mother, missing her over the miles from Tennessee to Texas. She revealed that she wrote it after getting a text from her mom while tripping on acid. Now that’s relatable.

Can you imagine how tough Ronnie Van Zant’s mama must have been? Now there’s a hard-ass Southern matriarch for you – she probably shot down a lot of free birds in her day. But Marion Van Zant gave Ronnie this advice: “Baby, be a simple kind of man/Be something you love and understand.” And he spent his life doing her proud. Of all the classic-rock mom tributes, “Simple Man” is the one that never fails to get those lighters lifted high and bring a tear to a biker’s eye.

Beyoncé pledges her love to Tina Knowles, in one of her most personal songs, in the aftermath of her parents’ divorce. She tells her mother, “Always know you got a daughter who’s proud you took the high road,” and adds, “You a killer, you so sexy!” It ends with words from Tina herself: “If you’re going through it, just know it’s called ‘going through it’—you’re not gonna get stuck there. You’re not gonna die, you’re gonna survive.”

Dacus wrote this for Mother’s Day in 2019, but she isn’t going for hearts and flowers, as you can tell from the opening lines: “My mother hates her body / We share the same outline / She swears that she loves mine.” It’s for both her mothers—the one who raised her and the biological one she just met at 19. An astoundingly powerful song about growing up, guilt, and inheritance, with the kicker: “All she has given/All I have taken / All is forgiven / All is forsaken.”

Glenn Danzig, the musclebound Misfits belter from hell, warns the mothers of the world not to let their children listen to evil music like this. He isn’t wrong.

Has any artist ever created so many classic songs about his mother? Shawn Carter might hold the record, from “Blueprint (Momma Loves Me)” to “Smile,” where he stands by Gloria Carter as she comes out. But the Black Album jam “December 4″ is where they co-narrate the whole story of their hard-knock life together. Gloria recalls that he was “the only one who didn’t give me any pain when I gave birth to him.” Jay admits he made up for that later.

Carole King wrote a classic ode to mom/daughter bonding—without even realizing she’d done it. When she sang “Where You Lead” on Tapestry, she considered it an adult love song. But years later, when it became the Gilmore Girls theme, King finally realized this is what the song was always meant to be. She asked Toni Stern to rework the lyrics, and sang it as a duet with her daughter Louise Goffin.

A psychedelic shoegaze guitar tale about a rock & roll mom who’s partied harder than you ever will. Alone late at night, weary from too much dancing and decadence every night, he calls his mother for advice. She tells him, “When I was 22/I was a lot like you,” and orders him to go play some more Dylan and Stones albums. Coolest rock & roll mom in any song, ever.

The Supremes scored a Number One hit with this Motown mama-said classic. When these lonely girls feel like they can’t go on, all they have to do is remember what mama taught them: “You can’t hurry love / No, you just have to wait / Just trust, give it time/No matter how long it takes.” Listen to the woman—she knows what she’s talking about. Diana Ross gives one of her finest vocals, while James Jamerson lays down the mother of all basslines.

You know, LL was totally right about the whole “don’t call it a comeback” thing. He’d just had one of his biggest and best hits in 1989, “I’m That Type of Guy.” But somehow the criticism spurred him to prove to Ma Dukes that her boy was indeed the future of the funk, in this old-school rap banger. LL’s mama Ondrea Smith makes a cameo in the video, calling him by his given name “Todd.”

Alicia sends this anthem out to superwomen everywhere, especially the moms, singing, “This is for all the mothers fighting for better days to come.”

A Seventies meditation on changing gender roles, as Joni Mitchell looks at her own troubled relationship with her mother, re-evaluating her rebellious teen years in light of her adult perspective. A highlight of her most underrated masterpiece, For The Roses.

A young man moans over grimy Hendrix-gone-uptown guitars about being haunted by his mama’s deal with the forces of evil: To feed her kids, she sold herself as a dancer to the devil. (Take that, Ozzy!) He hears her voice calling in his drugged-out head – “Would you like to dance with me?/I’m doing the cosmic slop” – as the guitars voice her soul.

Of all the songs for the baby-mamas’ mamas, this OutKast classic has to be the saddest and most honest. Andre 3000 sings, “Never meant to make your daughter cry.”

A poignant moment on Japanese Breakfast’s breakthrough album. Michelle Zauner devotes Psychopomp to mourning her mother Chongmi, a woman she portrays so beautifully in her memoir Crying in H Mart. It’s a synth-and-guitar setting for a voicemail from her mother consoling her, by saying “gwenchanta,” or “it’s all right” in Korean.

Brian Wilson leads his bros through a brief a cappella tribute to maternal wisdom: “Eat a lot, sleep a lot, brush ’em like crazy/Run a lot, do a lot, never be lazy.” It’s the finale to their classic Wild Honey, ending on a note of family harmony.

Three rap legends remind everyone they’re in the game just to make their mamas proud. 2Chainz remembers how they used to trap together out of the same house: “Me and mama got busted at the same time/Went to court and told the judge the same damn lies.” As he said, “We starved together, struggled together, hustled together, smiled together.”

A Chicago soul classic from Jan Bradley. Her mama didn’t raise no fool, teaching her the ways of the world: men are trash, don’t believe a word they say, stay in school. “She said, ‘Girl, stay in your class / You got a whole lot of growing and a-learning to do / So girl, don’t you go so fast.” Jan Bradley’s mama didn’t lie, and neither did Jan.