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All 173 of Taylor Swift’s Songs, Ranked

From teen country tracks to synth-pop anthems and rare covers, a comprehensive assessment of her one-of-a-kind songbook through ‘Lover’ era

Taylor Swift the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist. But Swift was a songwriter before she was a star, and she’ll be a songwriter long after she graduates from that racket. It’s in her music where she’s made her mark on history – as a performer, record-crafter, guitar hero and all-around pop mastermind, with songs that can leave you breathless or with a nasty scar. She was soaring on the level of the all-time greats before she was old enough to rent a car, with the crafty guile of a Carole King and the reckless heart of a Paul Westerberg – and she hasn’t exactly slowed down since then.

So with all due respect to Taylor the myth, the icon, the red-carpet tabloid staple, let’s celebrate the real Taylor – the songwriter she was born to be. Let’s break it down: all 173 tunes, counted from the bottom to the top. The hits, the flops, the deep cuts, the covers, from her raw 2006 debut as a teen country ingenue right up to Folklore. Every fan would compile a different list – that’s the beauty of it. But they’re not ranked by popularity, sales or supposed celebrity quotient — just the level of Taylor genius on display, from the perspective of a fan who generally does not give a rat’s nads who the songs are “really” about. All that matters is whether they’re about you and me. (I guarantee you are a more fascinating human than the Twilight guy, though I’m probably not.)

Sister Tay may be the last true rock star on the planet, making brilliant moves (or catastrophic gaffes, because that’s what rock stars do). These are the songs that sum up her wit, her empathy, her flair for emotional excess, her girls-to-the-front bravado, her urge to ransack every corner of pop history, her determination to turn any chorus into a ridiculous spectacle. So let’s step back from the image and pay homage to her one-of-a-kind songbook – because the weirdest and most fascinating thing about Taylor Swift will always be her music.

From Rolling Stone US

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130

“I Heart ?” (2008)

The trad country sound she soon left behind, from her Beautiful Eyes EP.Best line: “Wake up, and smell the breakup/Fix my heart, put on my makeup.”

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129

“Only the Young” (2019)

“Only the Young” debuted in her excellent doc Miss Americana, a synth-pop tribute to the next generation of political activists. It’s also a clever Swiftian fake-out, giving everyone a totally wrong idea of where she was headed musically — almost like she was announcing, “Nothing to see here, folks. Definitely no keepers left over from the Lover era.” Was she already plotting to catch us off guard with Folklore? Don’t put it past her. But you’d never guess she was about to make an acoustic album full of folk songs about sweaters.Best line: “Up there’s the finish line / Our future is worth the fight.”

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128

“Breathe” (Ft. Colbie Caillat) (2008)

A gorgeous duet full of low-key nuances – her humming after the first verse, that “sorry, sorry, sorry” fade, the way Colbie’s voice lifts hers.Best line: “It’s tragedy, and it’ll only bring you down.”

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127

“The Moment I Knew” (2012)

A somber piano ballad about getting stood up on your 21st birthday.Best line: “There in the bathroom/I try not to fall apart.”

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126

“Untouchable” (2009)

A rare case where she retools somebody else’s song on one of her proper albums – the all-but-unknown Y2K-era rock band Luna Halo, who previously opened for Hoobastank. Her Fearless version sounds practically nothing like their original (though both name-check .38 Special’s Eighties classic “Caught Up in You“). In fact, it’s tough to fathom how she heard the original as raw material she could use – now that’s ears.Best line: “In the middle of the night when I’m in this dream/It’s like a million little stars spelling out your name.”

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125

“Pour Some Sugar On Me” With Def Leppard (2008)

She makes a daring leap into the hair-metal mom market by teaming up with Def Leppard on CMT Crossroads, a move that works almost frighteningly well. Peak glam, especially when she asks the gender-torching question, “Demolition woman, can I be your man?”Best line: “Do you take sugar? One lump or two?”

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124

“Christmases When You Were Mine” (2007)

Taylor writes her own ace lovelorn holiday standard, ambushing her ex with one of those squirm-packed Merry-Christmas phone calls. Awkward question: “When you were putting up the lights this year/Did you notice one less pair of hands?” Eat your heart out, Mariah.Best line: “I bet you got your mom another sweater.”