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The Best Australian & New Zealand Songs of the 21st Century So Far

Presenting our favourite Australian and New Zealand songs of the 21st century so far, featuring Lorde, Kylie, Powderfinger, Stan Walker, and more

Photo illustration featuring Australian and New Zealand artists

Presenting the best Australian and New Zealand songs of the 21st century so far.

Our editorial team spent the past few months locked in debate, listening to as much music from across our two countries as possible.

After consulting with key industry figures and artists, we finally settled on a top 300.

“Curating a list of 300 from the past 25 years has been a wonderfully nostalgic and challenging feat for the team, and that is a testament to the incredible music Australian and New Zealand artists have produced this century,” says our Editor-in-Chief Neil Griffiths.

“From music royalty, to genre favourites, to the best up-and-coming talent, there’s something in this list for every Australia and New Zealand music fan.”

There were only a few rules, so as to keep the list as flexible as possible. We capped the number of songs per artist at three, in the interests of fairness; Kylie, Tame Impala, and The Beths, to name just a few, could have filled up the top 300 on their own. Artists had to be born in Australia and New Zealand, or based in either country for at least five years

The most important thing we kept in mind was the following: entry was not subject to popularity or airplay, but rather musical brilliance and originality.

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This is not a countdown of the biggest commercial hits of the century; far from it. There are lots of chart-topping singles, of course, but there are just as many indie and underground songs that we think sound as good as anything from the mainstream.

It’s important to note, for any keyboard warriors currently cracking their fingers in anticipation, that we know our list isn’t definitive: like comparing Maradona with Messi, Jordan with LeBron, working out if a streaming behemoth from 2021 is better or worse than a radio mainstay from 2002 is near-impossible.

But we think our top 300 does an excellent job of representing the incredible diversity of Australian and New Zealand music since the turn of the century.

You can trace, for example, the development of electronic music on these shores, from the early Modular acts to modern superstars like Dom Dolla and Alison Wonderland. You can compare the strengths of Aussie and Aotearoa hip-hop, from the old masters to new stars.

Some of our most seminal record labels are represented — think Milk!, Chapter, Dawn Raid — as are the genres and movements that defined the past few decades — think the pub-rock resurgence, the increased domination of drum and bass, and the underrated and maligned ‘dolewave’.

What we hope you get out of our list, more than anything, is a renewed love of music discovery — that’s what putting it together did for us. We hope you find a song by your new favourite artist and then support them the next time they play a show in your town; we hope you remember just how good that old band your family used to play constantly on car journeys actually are. In this era of stan culture and algorithmic playlists, breaking out of our bubbles and listening to new songs has never been more important.

In other words, have fun! Read on, turn up the music, and explore to your heart’s content. —Conor Lochrie

Blurbs written by Neil Griffiths, Conor Lochrie, James Jennings, Jade Kennedy, Lauren McNamara, Alec Jones, Andrew Mast

Vanessa Amorosi
157

Vanessa Amorosi, ‘Shine’ (2000)

Just months after her debut single, Vanessa Amorosi delivered this absolute vocal tour-de-force, transforming her from a promising newcomer into a national superstar.

“Shine” is a monumental, soul-infused power ballad built on an undeniable message of perseverance and self-belief.

The track’s huge, soaring chorus and spectacular vocal range ensure its place as one of the most resonant, powerful, and beloved Australian pop anthems of the modern era. —Jade Kennedy

Hilltop Hoods

Ashlee Jones

156

Hilltop Hoods, ‘Cosby Sweater’ (2014)

Taken from their platinum-selling album Walking Under Stars, “Cosby Sweater” is the definitive example of Hilltop Hoods’ ability to craft a towering, undeniable party anthem.

The song is built on an irresistible, soaring chorus and a driving electronic beat, turning a nostalgic fashion reference into a universal call for confidence and self-assurance.

It dominated the airwaves, placing third in the triple j Hottest 100 in 2014, hitting No. 64 in the Hottest 100 of Australian Songs in 2025, and No. 20 in the Hottest 100 of the Decade, thus becoming one of the most popular Australian hip-hop songs of all time, proving the Hoods’ power to cross generational and genre lines. —Jade Kennedy

TEEKS

Frances Carter

155

TEEKS, ‘Remember Me’ (2021)

Soulful ballads like “Remember Me” are the reason why TEEKS was one of the first nominees at the Rolling Stone Aotearoa Awards.

As he himself told VMAN, it’s a song that’s about having unrequited love for something, and the challenge of “expressing that to that person, and kind of in that state of trying to build the courage to tell them or to just die with this feeling inside.” —Alec Jones

Princess Chelsea

Supplied

154

Princess Chelsea, ‘Forever Is a Charm’ (2022)

The enchanting and enigmatic Princess Chelsea still feels like a cult artist, which is baffling to consider.

Over her first four albums, Chelsea Nikkel conjured glistening pop gems with ease, and her fifth release as Princess Chelsea, Everything Is Going to Be Alright, was no different.

“Forever Is a Charm” was an album highlight, a clever and catchy song which rewards frequent listens. In a just world, Princess Chelsea would be a global pop star. —Conor Lochrie

Tame Impala

Neil Krug*

153

Tame Impala, ‘Why Won’t They Talk to Me?’ (2012)

As Kevin Parker moves deeper and deeper into commercial electronica, Tame Impala’s Lonerism grows stronger in contrast.

“Any track from Parker’s masterful 2012 album could have made our list, but in the end we chose “Why Won’t They Talk to Me?”, an outsider anthem for the ages. —Conor Lochrie

Julia Jacklin

Nick Mckk

152

Julia Jacklin, ‘Lydia Wears a Cross’ (2022)

Never one to shy away from a vulnerable subject, Jacklin contemplated her Catholic school days on “Lydia Wears a Cross”, a standout from her most recent album, Pre Pleasure (2022).

It’s a graceful and empathetic song, Jacklin choosing to look back at her younger self through kind eyes. “I’d be a believer if it was all just song and dance,” she sings. —Conor Lochrie

Private Function

Zo Damage*

151

Private Function, ‘I Wish Australia Had Its Guns Again’ (2017)

This song is the raw, untamed sound of Australian pub rock dragged through a filthy punk filter.

“I Wish Australia Had Its Guns Again” is a relentless three-minute blast of sonic chaos, showcasing the band’s mastery of sharp, chaotic hooks and frontman Chris Penney’s sneering, charismatic delivery.

Built on a furious, high-velocity garage-punk riff, the track is pure, untamed energy and dark humour — a necessary, abrasive middle finger to the status quo. —Jade Kennedy