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The Best Australian & New Zealand Songs of the 21st Century So Far

Presenting our favourite Australian and New Zealand songs of the 21st century so far, featuring Lorde, Kylie, Powderfinger, Stan Walker, and more

Photo illustration featuring Australian and New Zealand artists

Presenting the best Australian and New Zealand songs of the 21st century so far.

Our editorial team spent the past few months locked in debate, listening to as much music from across our two countries as possible.

After consulting with key industry figures and artists, we finally settled on a top 300.

“Curating a list of 300 from the past 25 years has been a wonderfully nostalgic and challenging feat for the team, and that is a testament to the incredible music Australian and New Zealand artists have produced this century,” says our Editor-in-Chief Neil Griffiths.

“From music royalty, to genre favourites, to the best up-and-coming talent, there’s something in this list for every Australia and New Zealand music fan.”

There were only a few rules, so as to keep the list as flexible as possible. We capped the number of songs per artist at three, in the interests of fairness; Kylie, Tame Impala, and The Beths, to name just a few, could have filled up the top 300 on their own. Artists had to be born in Australia and New Zealand, or based in either country for at least five years

The most important thing we kept in mind was the following: entry was not subject to popularity or airplay, but rather musical brilliance and originality.

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This is not a countdown of the biggest commercial hits of the century; far from it. There are lots of chart-topping singles, of course, but there are just as many indie and underground songs that we think sound as good as anything from the mainstream.

It’s important to note, for any keyboard warriors currently cracking their fingers in anticipation, that we know our list isn’t definitive: like comparing Maradona with Messi, Jordan with LeBron, working out if a streaming behemoth from 2021 is better or worse than a radio mainstay from 2002 is near-impossible.

But we think our top 300 does an excellent job of representing the incredible diversity of Australian and New Zealand music since the turn of the century.

You can trace, for example, the development of electronic music on these shores, from the early Modular acts to modern superstars like Dom Dolla and Alison Wonderland. You can compare the strengths of Aussie and Aotearoa hip-hop, from the old masters to new stars.

Some of our most seminal record labels are represented — think Milk!, Chapter, Dawn Raid — as are the genres and movements that defined the past few decades — think the pub-rock resurgence, the increased domination of drum and bass, and the underrated and maligned ‘dolewave’.

What we hope you get out of our list, more than anything, is a renewed love of music discovery — that’s what putting it together did for us. We hope you find a song by your new favourite artist and then support them the next time they play a show in your town; we hope you remember just how good that old band your family used to play constantly on car journeys actually are. In this era of stan culture and algorithmic playlists, breaking out of our bubbles and listening to new songs has never been more important.

In other words, have fun! Read on, turn up the music, and explore to your heart’s content. —Conor Lochrie

Blurbs written by Neil Griffiths, Conor Lochrie, James Jennings, Jade Kennedy, Lauren McNamara, Alec Jones, Andrew Mast

TV Rock
257

TV Rock & Dukes of Windsor, ‘The Others’ (2006)

The title track from Dukes of Windsor’s debut album, “The Others” was remixed by electronic music duo TV Rock and became an instant hit.

The song dominated clubs, radio waves, and charts across the country, serving as the quintessential sound of peak-era Australian dance culture and cementing its place as an essential, high-energy modern classic. —Jade Kennedy

The Goon Sax
256

The Goon Sax, ‘Sweaty Hands’ (2016)

Hailing from Brisbane, The Goon Sax were an indie sensation for a time.

For several years it felt like they were always about to take the world by storm, but instead they pulled back and left behind a strong back catalogue of Australian indie.

“Sweaty Hands” a tale of nervous, blossoming love that namechecks ABBA, banana bread, and 7-Eleven, is their masterpiece. The melancholy. The anxiety. The jangly guitars. Gone but not forgotten. —Andrew Mast

Midnight Youth
255

Midnight Youth, ‘The Letter’ (2008)

Powered to success by a memorable music video, Midnight Youth’s “The Letter” became their breakout hit in New Zealand. Even the band members themselves were surprised.

“For us, it was a bit of a shock to the system because there was no love and then all of a sudden when ‘The Letter’ came out, it was like, ‘This is intense,'” the band’s Nick Campell told us in a 2023 interview. “It’s getting played all the time, not just on one demographic of radio, it was across the board.

“From there, you start getting better gigs and then you start realising what the real music industry is actually about in terms of business, corporate shows, festivals and touring.” —Conor Lochrie

Bored Nothing
254

Bored Nothing, ‘Let Down’ (2012)

Fergus Miller released two excellent records under his Bored Nothing moniker. His melancholic songwriting recalled Elliott Smith, while his prolific DIY output mirrored the rise of Alex G in the same decade.

“Let Down” was Miller’s masterpiece as Bored Nothing: a lovelorn lo-fi song for the ages, it features heartbreaking lyrics like “Tell me how will this go? / ‘Cause you already know / I can feel the time pass / And the feelings, they last.”

Miller sadly passed away in 2016 aged just 26. —Conor Lochrie

Spice World
253

Spice World, ‘Mountain Pony 20’ (2023)

Spice World are a band that could only come from Australia, at the ends of the earth.

Previously featured in Rolling Stone AU/NZ‘s Up Next series, the Fremantle band possess a style that’s steeped in this country’s grand tradition of dusty jangle-pop.

Their album There’s No ‘I’ in Spice World, so homespun and rustic and quietly melancholic, has “Mountain Pony 20” as its humble masterpiece.

It sounds like the four-piece made the song to just be played for themselves, a forlorn anthem for the end of the world. But Spice World’s songs are too sweet and real to be kept secret. —Conor Lochrie

Shihad

Supplied

252

Shihad, ‘Alive’ (2005)

Shihad were already Aotearoa hard-rock legends by the end of the ’90s, and they continued their stellar work right into the new millennium.

“Alive” is classic Shihad, all thunderous riffs and belting vocals. “Alive” is the type of song that made the Kiwi outfit so popular across the water in Australia. —Conor Lochrie

Amy Shark
251

Amy Shark, ‘Everybody Rise’ (2020)

Released during a turbulent year (2020), “Everybody Rise” gave fans a much-needed shot of confident, infectious energy.

Shark’s song is a sharp, self-aware piece of pop commentary that dominated the airwaves and peaked in the ARIA Top 10.

With its sleek production and undeniably catchy hooks, it stands as a pivotal track from her second album, Cry Forever, showcasing Shark’s ability to turn wry social observation into a bona fide, fist-pumping pop hit.