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The Best Australian & New Zealand Songs of the 21st Century So Far

Presenting our best Australian and New Zealand songs of the 21st century so far, featuring Lorde, Kylie, Powderfinger, Stan Walker, and more

Photo illustration featuring Australian and New Zealand artists

Presenting the best Australian and New Zealand songs of the 21st century so far.

Our editorial team spent the past few months locked in debate, listening to as much music from across our two countries as possible.

“Curating a list of 300 from the past 25 years has been a wonderfully nostalgic and challenging feat for the team, and that is a testament to the incredible music Australian and New Zealand artists have produced this century,” says our Editor-in-Chief Neil Griffiths.

“From music royalty, to genre favourites, to the best up-and-coming talent, there’s something in this list for every Australia and New Zealand music fan.”

There were only a few rules, so as to keep the list as flexible as possible. We capped the number of songs per artist at three, in the interests of fairness; Kylie, Tame Impala, and The Beths, to name just a few, could have filled up the top 300 on their own. Artists had to be born in Australia and New Zealand, or based in either country for at least five years

The most important thing we kept in mind was the following: entry was not subject to popularity or airplay, but rather musical brilliance and originality.

This is not a countdown of the biggest commercial hits of the century; far from it. There are lots of chart-topping singles, of course, but there are just as many indie and underground songs that we think sound as good as anything from the mainstream.

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It’s important to note, for any keyboard warriors currently cracking their fingers in anticipation, that we know our list isn’t definitive: like comparing Maradona with Messi, Jordan with LeBron, working out if a streaming behemoth from 2021 is better or worse than a radio mainstay from 2002 is near-impossible.

But we think our top 300 does an excellent job of representing the incredible diversity of Australian and New Zealand music since the turn of the century.

You can trace, for example, the development of electronic music on these shores, from the early Modular acts to modern superstars like Dom Dolla and Alison Wonderland. You can compare the strengths of Aussie and Aotearoa hip-hop, from the old masters to new stars.

Some of our most seminal record labels are represented — think Milk!, Chapter, Dawn Raid — as are the genres and movements that defined the past few decades — think the pub-rock resurgence, the increased domination of drum and bass, and the underrated and maligned ‘dolewave’.

What we hope you get out of our list, more than anything, is a renewed love of music discovery — that’s what putting it together did for us. We hope you find a song by your new favourite artist and then support them the next time they play a show in your town; we hope you remember just how good that old band your family used to play constantly on car journeys actually are. In this era of stan culture and algorithmic playlists, breaking out of our bubbles and listening to new songs has never been more important.

In other words, have fun! Read on, turn up the music, and explore to your heart’s content. —Conor Lochrie

Blurbs written by Neil Griffiths, Conor Lochrie, James Jennings, Jade Kennedy, Lauren McNamara, Alec Jones, Andrew Mast

Nesian Mystik
200

Nesian Mystik, ‘For the People’ (2002)

An undisputed New Zealand classic. “For the People” is the Nesian Mystik anthem of community and cultural pride, built on a joyful blend of hip-hop, reggae, and Pacific harmonies.

It’s a celebratory, feel-good song that remains a cornerstone of the 21st-century Aotearoa music canon.

Baker Boy promo shot

Sully Enayatzada

199

Baker Boy, ‘THICK SKIN’

Baker Boy’s self-assured anthem of resilience and cultural pride.

“THICK SKIN” is an award-winning song that perfectly fuses irresistible funk-hip-hop energy with a vital, powerful message. An essential modern Australian classic, featuring a ridiculously talented lineup of special guests in Thelma Plum, Emma Donovan, Kee’ahn, and Jada Weazel. —Jade Kennedy

Floodlights

Ian Laidlaw

198

Floodlights, ‘Backyard’ (2019)

An Australian rock song of the highest order.

Floodlights’ lyrics have always stood out in their songs, and it’s no different on “Backyard”.

“I walk through an old yard, my friends in different rooms / A demon in their hands / They’ve taught me much under the great full moon / A complex series of unforeseen events / Divert my feet with every accident / It’s humbling to know our control only goes so far,” lead vocalist Louis Parsons sings. —Conor Lochrie

Kaylee Bell

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197

Kaylee Bell, ‘Boots ‘N All’ (2023)

A country-pop anthem most Nashville musicians would be proud to call their own.

But “Boots ‘N All” is the work of Kiwi singer-songwriter Kaylee Bell, who’s spiritually and sonically aligned with the US home of country but hails from Canterbury.

The toe-stomping, line-dancing anthem is the type of song which helped Bell secure a place in our Future of Music series last year. —Conor Lochrie

Northlane

Kane Hibberd

196

Northlane, ‘Quantum Flux’ (2013)

When Northlane released “Quantum Flux”, they elevated Australian metalcore to a new, progressive standard.

The song, taken from their ARIA-chart-topping album Singularity, is a staggering display of technical precision, blending crushing, down-tuned aggression with soaring, ambient soundscapes.

Lyrically and sonically, it explores vast, philosophical concepts like existence and consciousness, managing to be both intellectually complex and emotionally raw. —Jade Kennedy

JessB

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JessB ft. Sister Nancy & Sampa the Great, ‘Power’ (2024)

JessB’s debut album, Feels Like Home (2024), opens in style.

The Auckland rapper starts with “Power”, a collaboration with Sampa the Great and dancehall reggae legend Sister Nancy. A lesser artist would perhaps have crumbled under the pressure of beginning their first record like that, but JessB more than holds her own.

The message behind “Power” is clear: JessB knows she belongs in such esteemed company, and she wants us to know it too. —Conor Lochrie

Kisschasy press image

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194

Kisschasy, ‘Opinions Won’t Keep You Warm at Night’ (2007)

The defining anthem for ignoring the critics.

“Opinions Won’t Keep You Warm at Night” is undeniably still Kisschasy’s biggest hit — a high-energy, infectious slice of pop-punk perfection that remains an absolute classic of the mid-2000s Australian scene. —Jade Kennedy

Alex the Astronaut

Jamie Heath

193

Alex the Astronaut, ‘I Think You’re Great’ (2020)

This song showcased Alex the Astronaut’s exceptional skill for crafting deeply relatable narratives.

From her debut album, The Theory of Absolutely Nothing, “I Think You’re Great” avoids cliché, using vivid, sincere observations to communicate unwavering friendship and gratitude.

The melody is gentle and immediate, demonstrating that a massive emotional impact can be achieved with simplicity and pure, unadulterated heart. —Jade Kennedy

David Dallas
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David Dallas, ‘Runnin” (2013)

A platinum hit for David Dallas, “Runnin'” is rap at its most inspirational.

Dallas’ backs-to-the-wall anthem features fierce bars such as “[s]wear the whole world could go against me, it don’t matter, man” and “we ain’t got much to lose / I’m on a chase.” The Auckland rapper is a man on a mission. —Conor Lochrie

Kirin J Callinan

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Kirin J Callinan, ‘Young Drunk Driver’ (2024)

Talented producer; performance artist; art provocateur; Kirin J Callinan’s got the lot. “Young Drunk Driver” is him at his most idiosyncratic. —Conor Lochrie

Liz Stringer

Archie Chew

190

Liz Stringer, ‘First Time Really Feeling’ (2021)

Liz Stringer, part of one of this country’s greatest ever side-projects, the trio of Dyson Stringer Cloher, has always been a formidable solo artist.

The title track was the standout on her sixth studio album, First Time Really Feeling. Reflecting a newfound clarity in her life, the track explodes with clear-eyed positivity. All cynicism melts away in its vicinity. —Andrew Mast

Daniel Johns

Luke Eblen

189

Daniel Johns, ‘Aerial Love’ (2015)

After closing the book on Silverchair, Daniel Johns reappeared with “Aerial Love”, the startling lead single from his debut solo album, Talk.

The song is a complete, beautiful left-turn, jettisoning guitar rock for a minimalist, sensual art-pop built on sparse electronic beats and intricate, layered falsetto vocals.

It’s a gorgeous, atmospheric mediation on transcendental love that proved Johns was far from finished as an innovator, affirming his status as one of Australia’s most restless and creatively ambitious musical minds. —Jade Kennedy

Scott & Charlene's Wedding
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Scott & Charlene’s Wedding, ‘Maureen’ (2016)

The band with surely the most Australian name of all time, “Maureen” is their quintessential song, a blistering slice of Aussie rock. —Conor Lochrie

Genesis Owusu

Bec Parsons

187

Genesis Owusu, ‘Don’t Need You’ (2020)

The most exciting Australian artist to emerge this decade might just be Canberra’s Kofi Owusu-Ansah, aka Genesis Owusu.

The Ghanaian-Australian rapper and singer’s extraordinary 2021 debut album Smiling with No Teeth, which scooped four ARIA Awards, including Album of the Year, is nothing but genre-blending highlights, but “Don’t Need You” makes a notable impact in more ways than one.

Featuring a synth effect on the chorus that feels like it’s tapping into an equilibrium-destabilising frequency that should probably be illegal, this is a classic saying-fuck-you-to-an-ex song — except in this case, the ex that Owusu is happily leaving in the dust is depression.

Credit is due to producers Andrew Klippel and Dave Hammer, but it’s Owusu who lifts “Don’t Need You” into something sublime, an alien pop banger that confidently puts down the Black Dog for good. —James Jennings

Flight of the Conchords

Facebook

186

Flight of the Conchords, ‘The Most Beautiful Girl (In the Room)’ (2008)

Yes, it’s a comedy song. So what? We’re likely based on these shores, but Kiwi duo Flight of the Conchords are the 21st century’s best musical comedy outfit (sorry, The Lonely Island).

Jemaine Clement and Bret McKenzie are at their deadpan best on “The Most Beautiful Girl (In the Room)”, comically pining after a woman at a party.

You’ll find yourself chuckling at almost any line in the song. “You could be an air hostess in the ’60s.” Ok, sure; “You could be a part-time model.” Not full-time?; “I do my dance moves / Both of my dance moves.” White men know their dancefloor limitations; Let’s go to my house and we can feel each other up on the couch.” Smooth. —Conor Lochrie

Dimmer
185

Dimmer, ‘Getting What You Give’ (2004)

The highlight of Dimmer’s acclaimed 2004 album, You’ve Got to Hear the Music.

Shayne P. Carter, the Kiwi music legend behind the Dimmer project, earned a nomination for Single of the Year for “Getting What You Give” at the 2004 New Zealand Music Awards. —Conor Lochrie

Pendulum

Derek Bremner

184

Pendulum, ‘Watercolour’ (2010)

The lead single from their colossal 2010 album Immersion, “Watercolour” is a masterclass in dynamic tension, building from Rob Swire’s smooth, prophetic vocal delivery to a truly explosive, signature drum and bass climax.

It’s a relentless, politically charged anthem about mass apathy and the need for change, delivering a high-energy payload that transcended the electronic scene to become a bona fide smash hit across Australia and the UK.

Stan Walker

Jayy Slays

183

Stan Walker, ‘I AM’ (2023)

Recorded originally for Ava DuVernay’s 2023 film Origin, “I AM” is a powerful ballad sung in both English and te reo Māori by Stan Walker.

Echoing the films themes of ethnic identity and reclamation, the song debuted in the top 20 on the New Zealand Singles Chart. Walker’s ballad should see him booked for more Hollywood soundtrack work soon. —Alec Jones

Rosé

Manny Carabel/Getty Images/MTV

182

Rosé & Bruno Mars, ‘APT.’ (2024)

New Zealand-born, Australia-raised superstar Rosé’s “APT.” with Bruno Mars was one of the biggest pop songs of 2024.

The near-inescapable hit spent 12 weeks at No. 1 on the Billboard Global 200 list and saw Rosé become the first K-pop female solo artist to top the ARIA Singles Chart.

“APT.” scored three Grammy nominations and holds the record for most-nominated song by any Korean or K-pop artist in Grammy history. Rosé followed working with Mars by linking up with Alex Warren this year — it’s exciting to think about who’ll be next in her collaboration list. —Neil Griffiths

Illy

Diego Camponar

181

Illy ft. Vera Blue, ‘Papercuts’ (2016)

When Illy enlisted the soaring, emotional vocals of Vera Blue, the result was a multi-platinum, genre-smashing masterpiece.

“Papercuts” became an instant cultural phenomenon. The song is a powerful reflection on emotional fragility within a relationship, perfectly blending Illy’s sharp, vulnerable verses with Vera Blue’s massive, unforgettable pop hook. It’s a benchmark for Australian musical collaboration and a definitive anthem of 2016.

Grinspoon

@jessgleeson

180

Grinspoon, ‘Chemical Heart’ (2002)

The first single from Grinspoon’s third album, New Detention, “Chemical Heart” presented a different sound for the Lismore rockers — one that continues to resonate with fans today.

Written in tribute to Jessica Michalik, who was killed in a crowd crush at the Sydney Big Day Out in 2001, the polished musicianship and Phil Jamieson’s emotionally charged vocal performance ensured this single not only sold multi-platinum but became a required, unifying singalong at every festival and pub across the country. —Jade Kennedy

The Shifters
179

The Shifters, ‘Work/Life, Gym Etc.’ (2018)

A lo-fi indie tirade against the drudgery of a 9-5 existence. The Shifters lace each line with barely-concealed malice for the work drones around them, who spend “their holidays in Byron Bay.” 

The finest song from one of Melbourne’s most underrated bands. —Conor Lochrie

Theia

Frances Carter

178

Theia, ‘BALDH3AD!’ (2024)

How sad it is to think of how Theia would have sounded if she hadn’t bravely gone independent at the turn of the 2020s.

Now fully independent in every sense of the word, the alt-pop-turned-punk artist has been releasing some of the most powerful political music in New Zealand over the past 24 months.

None of her songs hit harder than “BALDH3AD!”, which tackles the “plague of colonisation” with fury. —Conor Lochrie

Something for Kate

Daniel Boud*

177

Something for Kate, ‘Monsters’ (2001)

Taken from their critically acclaimed third album, Echolalia, “Monsters” is the quintessential Something for Kate anthem.

It perfectly showcases Paul Dempsey’s gift for marrying poetic, introspective lyrics — in this case, confronting the subconscious ‘monsters’ of self-doubt and anxiety — with a massive, soaring guitar-rock chorus.

The track quickly became an Australian cultural touchstone, cementing their reputation for delivering intelligent, emotionally complex rock music that can fill an arena and soundtrack an internal monologue at the same time.

SXMPRA

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176

SXMPRA, ‘COWBELL WARRIOR!’ (2021)

Let the streaming figure for SXMPRA’s “COWBELL WARRIOR!” say it all: on Spotify, at the time of writing, the song has over 235M plays. For a young rapper from New Zealand, that’s a crazy number.

But SXMPRA deserves all the support for a phonk-rap anthem blessed with real originality. —Conor Lochrie

salvia palth
175

salvia palth, ‘i was all over her’ (2013)

Salvia path released one of the defining Bandcamp records of the 2010s with melanchole, and “i was all over” was its finest moment. A sombre cut that connected with millions of millennial listeners. —Conor Lochrie

DZ Deathrays

Matt Wellham

174

DZ Deathrays, ‘Like People’ (2018)

DZ Deathrays’ signature party-rock anthem.

“Like People” is a blistering, standout track from their 2018 album Bloody Lovely that perfectly captures the anxiety and electric euphoria of a big night out, all delivered with relentless, high-volume energy. —Jade Kennedy

Erny Belle

Babiche Martens

173

Erny Belle, ‘Unchained’ (2023)

“New Zealand music’s best kept secret,” we claimed about Erny Belle in 2023, a statement that still rings true.

The Pacific-pop artist has never sounded better than on “Unchained”, a gorgeously composed song about being open to an unforeseeable future.

“It’s about releasing myself from feeling unworthy and incapable of getting what I deserve. The wisdom of knowing that certain things will make sense eventually, so there’s no need to worry,” she said. —Conor Lochrie

ONEFOUR press shot

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172

ONEFOUR, ‘Spot the Difference’ (2019)

The definitive Australian drill anthem of its time. 

“Spot the Difference” is ONEFOUR at their most commanding, delivering raw, uncompromising lyrics over a cold, driving beat.

This song is a crucial cultural statement and an absolute necessity for anyone tracking the evolution of Australian hip-hop. —Jade Kennedy

Julia Jacklin

Derek Henderson*

171

Julia Jacklin, ‘Pressure to Party’ (2019)

Julia Jacklin’s reminder that it’s okay to feel anxious about going out. One of the early showcases of her relatable songwriting. —Conor Lochrie

Anna Coddington

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170

Anna Coddington, ‘Kātuarehe’ (2024)

Anna Coddington knows how to begin an album.

Te Whakamiha opens in vibrant style with “Kātuarehe”, a bright, funk-laden song that deservedly won the Silver Scroll Award in 2024. Repeat listens are guaranteed. —Conor Lochrie

Sarah Mary Chadwick

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169

Sarah Mary Chadwick, ‘Full Mood’ (2021)

A bruising piano ballad that showcases why Sarah Mary Chadwick is one of Australasia’s best (and most under appreciated) singer-songwriters. An unsparing listen. —Conor Lochrie

King Gizzard & the Lizard Wizard

Maclay Heriot

168

King Gizzard & the Lizard Wizard, ‘Dragon’ (2023)

Across 15 years and 27 albums, King Gizzard & the Lizard Wizard have dabbled in multiple genres.

Dragon is a thrash-y mess of guitar overload, relentless drumming, and singalong hooks. It’s no wonder that the band can count Stephen King amongst their fans and that Noel Fielding was spotted wearing a King Gizzard jumper on The Great British Bake Off. —Andrew Mast

Zed
167

Zed, ‘Renegade Fighter’ (2000)

Load up “Renegade Fighter” by Zed and be instantly transported back to 2000 — it’s a song that sounds so of its time.

Still the Christchurch-born rock band’s biggest hit to date, “Renegade Fighter” helped their debut album Silencer become the best-selling New Zealand album of that year.

Appearances in Smallville and American Pie 2 certainly boosted the song’s success, while it also made APRA’s Top 100 New Zealand Songs of All Time countdown. —Conor Lochrie

Kimbra

Spencer Ostrander

166

Kimbra, ‘Cameo Lover’ (2011)

The centrepiece of Kimbra’s critically lauded debut, Vows, “Cameo Lover” is maximalist pop genius.

It perfectly showcases the Hamilton-born singer’s desire to push boundaries and fuse jazz, funk, and art-pop into something commercially irresistible.

Listen closely to the layers of backing vocals and instrumental flourishes: it’s a masterclass in production that proved she could craft a complex, award-winning hit entirely on her own terms, all while setting the stage for her global takeover later that year.

Gut Health

Celeste de Clario

165

Gut Health, ‘The Recipe’ (2024)

It’s been a big 24 months for Gut Health.

They announced their arrival as one of Australia’s most exciting punk bands last year with Stiletto, which went on to earn them a nomination at the 2025 ARIA Awards as well as two nods at the 2025 Rolling Stone Australia Awards, including for Best New Artist.

Stiletto has many highlights, from the taut and buzzy “Cool Moderator” to the epic title track, but “The Recipe” is the pinnacle. The driving dance-punk cut is Gut Health at their loosest and most playful, which is why it’s the most replayable track on their album. —Conor Lochrie

Vera Ellen

Nicola Sandford

164

Vera Ellen, ‘Carpenter’ (2023)

“Carpenter” was the grand centrepiece of Vera Ellen’s immense Taite Music Prize-winning album, Ideal Home Noise. The pensive song offered a reprieve from the bustling indie rock songs surrounding it on the record.

“We would be more compassionate people, if we had the slightest window into someone else’s experience; their pain, their fear, their life. ‘Carpenter’ is inspired by that. It’s a desperate cry, but there’s a triumph in being able to ask for help,” Ellen said in 2023. —Conor Lochrie

Connan Mockasin

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163

Connan Mockasin, ‘Megumi the Milkyway Above’ (2011)

More artists should be like Connan Mockasin and revel in their weirdness. “Megumi the Milkyway Above” is the curious entry into the Kiwi artist’s 2011 album, Forever Dolphin Love. From its opening notes, you’ll be transfixed. —Conor Lochrie

Ninajirachi

Billy Zammit

162

Ninajirachi, ‘iPod Touch’ (2025)

What a blockbuster year Ninajirachi has had.

2025 ARIAs nominations leader, winner of three awards; her debut album, I Love My Computer, acclaimed in Australia nd far beyond; her pick of collaborators now ahead of her.

“Everything is computer,” a tyrant once said, and it’s a sentiment that rings true in Ninajirachi’s music. On “iPod Touch”, a fun homage to a better era of music, she instills all her influences she used to scroll through on her iPod into one vibrant musical collage. “iPod Touch” is a sonic shot of serotonin. —Conor Lochrie 

Sampa the Great

Imraan Christian

161

Sampa the Great ft. Nadeem Din-Gabisi, ‘Energy’ (2018)

A masterclass in lyrical firepower and spiritual self-possession. Sampa the Great’s “Energy” is a visceral, captivating hip-hop anthem that demands introspection while delivering undeniable groove.

The song is an essential benchmark in the evolution of Australian hip-hop, radiating the unique, vital brilliance of its creator.

Keith Urban

John Shearer/Getty Images/Concert For Carolina

160

Keith Urban, ‘Somebody Like You’ (2002)

The massive, multi-platinum anthem that sealed Keith Urban’s crossover status.

“Somebody Like You” is an instantly recognisable song built on a perfect guitar hook and a feel-good message of romantic devotion. It remains a definitive modern country-pop classic. —Jade Kennedy

SPEED press shot

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159

SPEED, ‘THE FIRST TEST’ (2024)

SPEED’s rise to the top of Australian music has been thrilling to watch.

A true underground success story, the Western Sydney crew have risen from the hardcore scene all the way to the ARIA Awards, where they won in the Best Hard Rock / Heavy Metal Album category last year.

They won that award for their debut album, Only One Mode, a record that heralded SPEED as one of the most exciting hardcore bands of their generation, not just in Australia but worldwide.

“THE FIRST TEST” is the album’s highlight, a battering-ram anthem that assaults the senses; it runs for just over two minutes but it feels like it plays for much longer, twisting and turning with delirious rhythm changes, unexpected instrument inclusions, and moshpit-inviting riffs.  —Conor Lochrie

9lives

Supplied

158

9lives & Odetari, ‘I LOVE YOU HOE’ (2023)

You can hear the future in “I LOVE YOU HOE”.

Kiwi producer and US rapper Odetari struck sonic gold with their 2023 collaboration, which made it all the way to the top 3 on the US Hot Dance/Electronic Songs Chart. It’s on streaming, though, where it’s really thrived, shooting its way past the 250M mark on Spotify.

An innovative blend of hyper-pop, sigilkore, electropop, and almost everything else in between, “I LOVE YOU HOE” is the sound of a producer always looking forward. —Conor Lochrie

Vanessa Amorosi
157

Vanessa Amorosi, ‘Shine’ (2000)

Just months after her debut single, Vanessa Amorosi delivered this absolute vocal tour-de-force, transforming her from a promising newcomer into a national superstar.

“Shine” is a monumental, soul-infused power ballad built on an undeniable message of perseverance and self-belief.

The track’s huge, soaring chorus and spectacular vocal range ensure its place as one of the most resonant, powerful, and beloved Australian pop anthems of the modern era. —Jade Kennedy

Hilltop Hoods

Ashlee Jones

156

Hilltop Hoods, ‘Cosby Sweater’ (2014)

Taken from their platinum-selling album Walking Under Stars, “Cosby Sweater” is the definitive example of Hilltop Hoods’ ability to craft a towering, undeniable party anthem.

The song is built on an irresistible, soaring chorus and a driving electronic beat, turning a nostalgic fashion reference into a universal call for confidence and self-assurance.

It dominated the airwaves, placing third in the triple j Hottest 100 in 2014, hitting No. 64 in the Hottest 100 of Australian Songs in 2025, and No. 20 in the Hottest 100 of the Decade, thus becoming one of the most popular Australian hip-hop songs of all time, proving the Hoods’ power to cross generational and genre lines. —Jade Kennedy

TEEKS

Frances Carter

155

TEEKS, ‘Remember Me’ (2021)

Soulful ballads like “Remember Me” are the reason why TEEKS was one of the first nominees at the Rolling Stone Aotearoa Awards.

As he himself told VMAN, it’s a song that’s about having unrequited love for something, and the challenge of “expressing that to that person, and kind of in that state of trying to build the courage to tell them or to just die with this feeling inside.” —Alec Jones

Princess Chelsea

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154

Princess Chelsea, ‘Forever Is a Charm’ (2022)

The enchanting and enigmatic Princess Chelsea still feels like a cult artist, which is baffling to consider.

Over her first four albums, Chelsea Nikkel conjured glistening pop gems with ease, and her fifth release as Princess Chelsea, Everything Is Going to Be Alright, was no different.

“Forever Is a Charm” was an album highlight, a clever and catchy song which rewards frequent listens. In a just world, Princess Chelsea would be a global pop star. —Conor Lochrie

Tame Impala

Neil Krug*

153

Tame Impala, ‘Why Won’t They Talk to Me?’ (2012)

As Kevin Parker moves deeper and deeper into commercial electronica, Tame Impala’s Lonerism grows stronger in contrast.

“Any track from Parker’s masterful 2012 album could have made our list, but in the end we chose “Why Won’t They Talk to Me?”, an outsider anthem for the ages. —Conor Lochrie

Julia Jacklin

Nick Mckk

152

Julia Jacklin, ‘Lydia Wears a Cross’ (2022)

Never one to shy away from a vulnerable subject, Jacklin contemplated her Catholic school days on “Lydia Wears a Cross”, a standout from her most recent album, Pre Pleasure (2022).

It’s a graceful and empathetic song, Jacklin choosing to look back at her younger self through kind eyes. “I’d be a believer if it was all just song and dance,” she sings. —Conor Lochrie

Private Function

Zo Damage*

151

Private Function, ‘I Wish Australia Had Its Guns Again’ (2017)

This song is the raw, untamed sound of Australian pub rock dragged through a filthy punk filter.

“I Wish Australia Had Its Guns Again” is a relentless three-minute blast of sonic chaos, showcasing the band’s mastery of sharp, chaotic hooks and frontman Chris Penney’s sneering, charismatic delivery.

Built on a furious, high-velocity garage-punk riff, the track is pure, untamed energy and dark humour — a necessary, abrasive middle finger to the status quo. —Jade Kennedy