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The Best Australian & New Zealand Songs of the 21st Century So Far

Presenting our best Australian and New Zealand songs of the 21st century so far, featuring Lorde, Kylie, Powderfinger, Stan Walker, and more

Photo illustration featuring Australian and New Zealand artists

Presenting the best Australian and New Zealand songs of the 21st century so far.

Our editorial team spent the past few months locked in debate, listening to as much music from across our two countries as possible.

“Curating a list of 300 from the past 25 years has been a wonderfully nostalgic and challenging feat for the team, and that is a testament to the incredible music Australian and New Zealand artists have produced this century,” says our Editor-in-Chief Neil Griffiths.

“From music royalty, to genre favourites, to the best up-and-coming talent, there’s something in this list for every Australia and New Zealand music fan.”

There were only a few rules, so as to keep the list as flexible as possible. We capped the number of songs per artist at three, in the interests of fairness; Kylie, Tame Impala, and The Beths, to name just a few, could have filled up the top 300 on their own. Artists had to be born in Australia and New Zealand, or based in either country for at least five years

The most important thing we kept in mind was the following: entry was not subject to popularity or airplay, but rather musical brilliance and originality.

This is not a countdown of the biggest commercial hits of the century; far from it. There are lots of chart-topping singles, of course, but there are just as many indie and underground songs that we think sound as good as anything from the mainstream.

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It’s important to note, for any keyboard warriors currently cracking their fingers in anticipation, that we know our list isn’t definitive: like comparing Maradona with Messi, Jordan with LeBron, working out if a streaming behemoth from 2021 is better or worse than a radio mainstay from 2002 is near-impossible.

But we think our top 300 does an excellent job of representing the incredible diversity of Australian and New Zealand music since the turn of the century.

You can trace, for example, the development of electronic music on these shores, from the early Modular acts to modern superstars like Dom Dolla and Alison Wonderland. You can compare the strengths of Aussie and Aotearoa hip-hop, from the old masters to new stars.

Some of our most seminal record labels are represented — think Milk!, Chapter, Dawn Raid — as are the genres and movements that defined the past few decades — think the pub-rock resurgence, the increased domination of drum and bass, and the underrated and maligned ‘dolewave’.

What we hope you get out of our list, more than anything, is a renewed love of music discovery — that’s what putting it together did for us. We hope you find a song by your new favourite artist and then support them the next time they play a show in your town; we hope you remember just how good that old band your family used to play constantly on car journeys actually are. In this era of stan culture and algorithmic playlists, breaking out of our bubbles and listening to new songs has never been more important.

In other words, have fun! Read on, turn up the music, and explore to your heart’s content. —Conor Lochrie

Blurbs written by Neil Griffiths, Conor Lochrie, James Jennings, Jade Kennedy, Lauren McNamara, Alec Jones, Andrew Mast

Lorde

Joseph Okpako/WireImage

100

Lorde, ‘Green Light’ (2017)

Lorde’s “Green Light” uses pop as catharsis, trading in her earlier minimalism for something bigger, bolder, and unapologetically dramatic.

The lead single from 2017’s Melodrama proved the Kiwi star had successfully evolved from her Pure Heroine era into something even more ambitious.

It debuted at No. 4 on the ARIA Singles Chart, went 4x platinum in Australia, topped the New Zealand charts, and won the Silver Scroll Award. —Lauren McNamara

Miss Kaninna

Tristan Stefan Edouard

99

Miss Kaninna, ‘Blak Britney’ (2023)

A star was born the moment “Blak Britney” hit Australian music like a bolt of lightning.

Proud Yorta Yorta, Kalkadoon, and Yirendali artist Miss Kaninna is contributing to the current moment Australian hip-hop is having right now, and her self-described “anti-establishment anthem” from 2023 shows exactly why.

Calling herself a “deadly bitch” and a “Blak Britney Spears,” the song finds her reclaiming power as a Blak woman in our music industry.

It quickly became a defining moment for Kaninna, earning three ARIA Award nominations, and she made history as the first Independent Aboriginal woman to be nominated for a debut single. —Lauren McNamara

Tiny Ruins

Frances Carter

98

Tiny Ruins, ‘Me at the Museum, You in the Wintergardens’ (2014)

A truly beautiful indie-folk song.

The opening track on Tiny Ruins’ second album, Brightly Painted One, is Hollie Fullbrook on top form, telling a memorable slice-of-life tale at her own speed. “Me at the Museum, You in the Wintergardens” is contemplative, romantic, and a primary reason why Tiny Ruins’ album was nominated for the Taite Music Prize. —Conor Lochrie

Alien Weaponry

Frances Carter

97

Alien Weaponry, ‘Kai Tangata’ (2018)

The Māori metal trio at their most powerful.

Alien Weaponry proudly sing in their native language in this six-and-a-half-minute epic, which comes with an exhilarating music video that really brings the song to life. “Kai Tangata” is the sort of song that has made Alien Weaponry such a beloved fixture on the festival circuit in the Northern Hemisphere. —Conor Lochrie

Lower Plenty
96

Lower Plenty, ‘Nullarbor’ (2012)

If I could achieve just one thing as a music journalist, it would be to make more people aware of lo-fi folk poets Lower Plenty.

Composed of some of Melbourne’s very best musicians, Lower Plenty quietly released some of the best Australian albums of the 2010s, chief among them Hard Rubbish (2016).

The standout track, “Nullarbor”, is a dusty Australian anthem that deserves a wider audience.

Lower Plenty conjure the spirit of this land of vast spaces and open roads on the track, which is infused with a melancholic undercurrent and aching lyrics: “She took her boyfriend’s car / Up to Adelaide / She was not coming back / Met up with friends / And a handsome man named Jack / Out on the nullarbor / In Jack’s Commodore / She writes / “I’m sorry Jack / I’m not ever coming back.” Homespun DIY songs don’t come much better than this.  —Conor Lochrie

Killing Heidi

Michelle Grace Hunder

95

Killing Heidi, ‘Mascara’ (2000)

This song is pure, uncut Australian alternative rock at its peak.

“Mascara” is built on an irresistible, gritty guitar riff, a driving rhythm section, and teenage Ella Hooper’s instantly recognisable, unique vocal style.

Moving with a breathless urgency, the song perfectly captures the feeling of teen angst and living life at maximum volume, making it one of the beloved Australian rock singles ever. —Jade Kennedy

Keanu Nelson
94

Keanu Nelson, ‘Place Where I Go’ (2025)

A minor miracle of a song, and a reminder to always trawl the depths of Bandcamp for surprise masterpieces.

Keanu Nelson is an Indigenous musician from NT who deserves a much bigger audience. “Place Where I Go” connects him again with producer Yuta Matsumura, an unlikely pair seemingly destined to make wonderful music together.

Nelson’s dubbed-out reflections on daily life in Papunya, his hometown, are a revelation. The internet is a fucked-up place these days, but getting to hear Nelson’s music, created in a tiny community in the desert, is a reason to stay online. —Conor Lochrie

Home Brew
93

Home Brew, ‘Alcoholic’ (2012)

A defining song of modern New Zealand and Auckland hip-hop. Home Brew inspired a generation of up-and-comers thanks to songs like “Alcoholic”.

The song holds nothing back in portraying the struggles of substance abuse, and how it keeps going through generations. Tell it like it is. —Conor Lochrie

Kane Strang
92

Kane Strang, ‘Things Are Never Simple’ (2015)

Before he formed Office Dog with some other Dunedin musicians, Kane Strang was one of the leading lights of New Zealand indie music in the 2010s.

He’s had bigger streaming hits and more well-loved fan-favourites, but “Things Are Never Simple” is Strang at his absolute best.

It’s easy to dismiss Strang’s off-kilter guitar-pop as being modest in nature, but the precision of his production and songwriting is world-class. In another life, he’d have a much bigger international reputation. —Conor Lochrie

Stella Donnelly

Lorne Thomson/Redferns/Getty Images

91

Stella Donnelly, ‘Tricks’ (2019)

One of the songs that first made Stella Donnelly’s name in Australia, and still one of her catchiest songs to date.

Buoyed by a playful music video, “Tricks” offered a wonderfully tongue-in-cheek look at Aussie pride, featuring references to Southern Cross tattoos and — gulp — Kyle and Jackie O.

“This song is a playful zoom-in on the ‘Australian Identity’ and a loose dig at the morons that used to yell sh*t at me when I played cover gigs on Sunday afternoons. It probably served me right for singing ‘Wonderwall’ every weekend,” Donnelly said. —Conor Lochrie

Ocean Alley

Kane Lehanneur

90

Ocean Alley, ‘Confidence’ (2018)

In 2018, Ocean Alley proved that hazy, psychedelic surf-rock could dominate the mainstream when “Confidence” won the triple j Hottest 100.

This song is pure, distilled cool — a laid-back, groove-heavy masterpiece built on a simple, instantly infectious melody and Baden Donegal’s impossibly smooth vocal delivery.

Its undeniable, timeless groove ensured its continuous, viral life on TikTok five years after its release, re-entering the ARIA singles chart and debuting on the American and British charts. —Jade Kennedy

Broods
89

Broods, ‘Bridges’ (2013)

Lorde wasn’t the only New Zealander to gain overseas success in 2013.

After producing “Royals”, Kiwi producer Joel Little teamed up with young sibling duo Caleb and Georgia Nott, aka Broods, to create “Bridges”, an icy synth-pop gem that had a lot in common with Lorde’s early output.

Broods’ smash-hit breakthrough song debuted in the top 40 on the US Alternative Songs Chart, also making the top 10 in their home country, leading Billboard to ask a pertinent question: “Is Broods New Zealand’s next pop wonder?” They proved on albums like Evergreen (2014) and Conscious (2016) that the answer was a resounding yes. —Conor Lochrie

Sneaky Sound System

Raegan Glazner

88

Sneaky Sound System, ‘I Love It’ (2006)

Another seminal act for the Australian dance scene, Sneaky Sound System’s “I Love It” makes a case for the country’s best electropop anthem.

Released in 2006, the song peaked at No. 24 on the ARIA Singles chart, but its popularity would see “I Love It” spend 70 straight weeks on the list, breaking the record for most week in the ARIA Top 100 for a single. It picked up two ARIA nominations and was remixed by acts like Bag Raiders and Riot in Belgium. We love it. —Neil Griffiths

Twerps
87

Twerps, ‘Dreamin’ (2011)

You know a band have captured something special when it becomes the totem for an entire genre.

Emerging in 2012 as a music message board joke, “dolewave” was a term coined to describe a slew of new Melbourne bands trading in the same kind of jangly guitar-pop made popular by the Go-Betweens and bands on New Zealand’s iconic Flying Nun label.

Dick Diver, Scott & Charlene’s Wedding, and Twerps were all placed under the dolewave umbrella, but it was the latter who had the song that summed up the whole scene and era beautifully: 2011’s transcendent, timeless “Dreamin”.

Twerps emerged from the songwriting partnership of Martin Frawley and Julia MacFarlane, the pair able to effortlessly conjure the same kind of romantic melancholy and ‘Australian-ness’ of their musical and spiritual forebears Robert Forster and Grant McLennan.

“Dreamin” weaves together twanging guitars with lyrics that imply a relationship on rocky ground, but the result is something more from the heavens. Much like an enticing dream, it’s a song that blurs the lines between reality and fantasy, creating an alluring new space to exist in — and one that you’ll always yearn to return to. —James Jennings

Gurrumul
86

Gurrumul, ‘Wiyathul’ (2008)

Few songs have achieved the immediate, universal reverence of “Wiyathul”.

Sung in the Yolngu language by the late Dr. G Yunupingu, this minimalist song is a powerful, sublime expression of Indigenous identity and connection to Country.

It’s more than just a song — it’s a vital piece of Australian cultural heritage and one of the century’s most emotionally moving musical moments.

The Living End

Jacob McCann

85

The Living End, ‘White Noise’ (2008)

Taken from their fifth studio album, “White Noise” proved The Living End were still capable of producing arena-sized fury.

The song is a blistering, high-octane punk-rock anthem that confronts the media saturation and information overload of the modern era. With Chris Cheney’s signature guitar wizardry and the unstoppable rhythm section, the song doesn’t just cut through the static — it tears it down.

The single dominated the airwaves and secured the prestigious APRA Award for Song of the Year in 2009, cementing its status as one of the most significant Australian rock songs of the new century. —Jade Kennedy

Savage
84

Savage & Aaradhna, ‘They Don’t Know’ (2005)

When two New Zealand music greats decided to team up, it was game over for the competition.

Savage and Aaradhna joined forces in 2005 for “They Don’t Know”, the final single from the former’s debut solo album, Moonshine (2005).

The pair make for perfect musical partners on the song, balancing each other’s contrasting styles well, Aaradhna chiming in with her pleasingly soulful vocals amidst Savage’s ever-boisterous bars. —Conor Lochrie

Kylie Minogue Spinning Around
83

Kylie Minogue, ‘Spinning Around’ (2000)

It takes precisely 18 seconds for “Spinning Around” to make itself an earworm for life. It’s at this point that you hear that first joyous “I’m spinning around” leap from the speakers/headphones.

Reinvigorating disco for a new millennium, this was the world’s introduction to Kylie’s poptastic Light Years set. Co-penned by 20th century dance royalty Paula Abdul, Minogue owned dancefloors with this optimistic burst of reinvention revelry: “Threw away my old clothes, got myself a better wardrobe.” Indeed.

Not only did she find an iconic pair of gold hot pants in there but a whole new collection of mega-hits that Kylie is still modelling. “Spinning Around” succeeds in its simplicity: a polished vocal performance, an unshakeable melody, those vocoder-esque BVs, sparkling synths, and an irresistible booty-slapping rhythm. Welcome to Disco 2000. —Andrew Mast



G Flip

Jack Alexander

82

G Flip, ‘The Worst Person Alive’ (2023)

G Flip, who featured in our Future of Music series last year, channels heartbreak into a Springsteen-sized rock anthem with “The Worst Person Alive”, pounding out their pain over soaring guitars and a chorus built for cathartic screaming.

The song captures the specific agony of being the one who ends a relationship — going from someone’s everything to their worst memory in a flash.

The confessional, drum-forward pop-rock won Song of the Year at the ARIAs and helped establish them as one of Australia’s most compelling voices. —Lauren McNamara

Tiki Taane

Tim Budgen

81

Tiki Taane, ‘Always on My Mind’ (2008)

All Tiki Taane really needed was his acoustic guitar.

One of New Zealand music’s early digital hits, “Always on My Mind” is a simple love song told very well. “Girl you got me singing with some melody / You’re always on my mind / This is what you do to me,” Taane yearns.

Kiwis lapped up Taane’s breakout song, with “Always on My Mind” growing into one of the most successful local singles of all time.

Fat Freddy's Drop

Daniel Boud

80

Fat Freddy’s Drop, ‘Wandering Eye’ (2005)

Fat Freddy’s Drop best-ever song, which is really saying something.

The evergreen ensemble exploded into the mainstream in 2005 with “Wandering Eye”, a blessed mixture of trumpet, sax, guitar, synths, and that catchy chorus: “I’ve got the wandering eye!” 

“Wandering Eye” peaked at No. 6 on the New Zealand Singles Chart, remaining there for many months, while the accompanying music video was awarded Best Music Video at the 2006 Aotearoa Music Awards.

Wolfmother

Martin Philbey

79

Wolfmother, ‘Joker and the Thief’ (2006)

Wolfmother created another timeless hard rock classic with “Joker and the Thief”.

Synced to movies, TV shows, games and ads, “Joker and the Thief” remains one of the go-to songs for big-budget action sequences thanks to those thick guitar riffs and that gloriously theatrical vocal. —Andrew Mast

L.A.B
78

L.A.B, ‘In the Air’ (2019)

The song that’s soundtracked a thousand Kiwi barbecues.

Skewing more pop than reggae, L.A.B surely knew they had a hit on their hands during the first recording session for “In the Air”, a breezy anthem that could have been a song of the summer contender in any year of the last decade.

“In the Air” was by far the biggest song in New Zealand music in 2020, and barely left local charts over the next few years. —Conor Lochrie

Bliss n Eso

Daniel Kelaart

77

Bliss n Eso, ‘Addicted’ (2010)

“Addicted” solidified Bliss n Eso’s status as not just hip-hop artists but vital Australian storytellers.

Sampling The Yardbirds’ “For Your Love”, the song is an anthem for hope, affirming that anyone can become “addicted” to living life out loud.

Opening with a simple piano chord, the song crescendos as the instrumentation and samples are layered in, building behind the life-affirming message of the lyrics. —Jade Kennedy

FISHER
76

FISHER, ‘Losing It’ (2018)

“Losing It” is infectious chaos in the best way possible, built for both sweaty clubs and festival main stages.

The song became FISHER’s breakout hit in 2018, topping charts in both Australia and the US, landing at No. 2 on triple j’s Hottest 100, and earning a Grammy nomination for Best Dance Recording. It cemented the Gold Coast surfer-turned-producer (who placed No. 11 on our 50 Greatest Australian Electronic Acts of All Time list) as an electronic music force on the global stage. —Lauren McNamara

Dick Diver
75

Dick Diver, ‘Amber’ (2013)

The ‘dolewave’ movement had its detractors — many of them — but the incredible bands that era spawned made it all worth it.

One of the best bands on Chapter Music, Dick Diver encapsulated the feelings of a generation of downtrodden Australian millennials in their wistful songs.

Their sound was unpretentious and melancholic, and Calendar Days was their finest album, hailed by The Guardian and more publications in 2013.

“Amber” just edged out the equally beguiling “Calendar Days” and “Alice” to make our list.

The song opens with such beautiful words: “Amber, your eyes / Prepare me for the trifles of old age / You’re always with me / Do you ever feel the same way? / What kind of monument to love / Dreams of love.” The rest of the song is a sombre, jangling masterpiece, from one of the best Australian bands of the 2010s. —Conor Lochrie

Eskimo Joe

Jarrad Seng*

74

Eskimo Joe, ‘Black Fingernails, Red Wine’ (2006)

Taken from their multi-platinum, ARIA-winning album of the same name, this song is a masterclass in atmosphere and dynamic buildup.

“Black Fingernails, Red Wine” moves with a dark, insistent energy, swelling from a piano-led whisper to a soaring, cathartic climax.

It’s an undeniable, high-class anthem that dominated the airwaves and secured the band’s status as Australian rock royalty, as well as the Single of the Year award at the 2006 ARIAs. —Jade Kennedy

5 Seconds of Summer

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73

5SOS, ‘Youngblood’ (2018)

“Youngblood” marked a turning point in the career of 5 Seconds of Summer.

Often painted with the boy band brush, this single from their 2018 album of the same name showcased a darker and more mature sound from the Sydney outfit.

As drummer Ashton Irwin said on an episode of the Rolling Stone Uncut podcast: “We really broke through rhythmically with ‘Youngblood’. That really blew our minds open to utilising other genres and rhythms with our style of songwriting.” —Neil Griffiths

BENEE

Supplied

72

BENEE, ‘Glitter’ (2019)

Bright and energetic pop doesn’t come much better than this.

BENEE saved the best for last with the final single from her debut EP, Fire on Marzz, a song that inevitably later went viral on TikTok.

“Glitter” is a classic coming-of-age anthem, BENEE wishing for a fun night out to last long into the night: “I know it’s getting’ late now, baby / Maybe you should stay here with me / Let’s just make it our own party,” she sings to an unnamed partner. “Stick together like glitter, glitter, glitter, glitter.” —Conor Lochrie

Bernard Fanning

Cybele Malinowski*

71

Bernard Fanning, ‘Wish You Well’ (2005)

After the immense success of Powderfinger, Bernard Fanning delivered a perfect artistic shift with his solo debut, Tea & Sympathy.

“Wish You Well” is the album’s undisputed jewel — a joyous, infectious, roots-rock anthem that pulses with optimism and acoustic warmth.

Lyrically, it’s a simple, generous statement about moving on from the past with goodwill. The song’s massive success proved Fanning could dominate the charts completely on his own terms, establishing him as a master of stripped-back, heartfelt Australian folk-rock. —Jade Kennedy

Tones and I
70

Tones and I, ‘Dance Monkey’ (2019)

Regardless of where you were in 2019, you could not escape this song.

Tones and I delivered a cultural earthquake with “Dance Monkey”, which not only broke records in Australia — it spent an unprecedented 24 weeks at No. 1 on the ARIA chart — but became a worldwide phenomenon, topping charts in over 30 countries.

Built on an infectious, driving bass line and her signature, instantly recognisable vocal performance, the song became the most-streamed song ever by a female artist on Spotify and proved that a busker from Byron Bay could, in fact, conquer the entire globe. —Jade Kennedy

King Stingray

Supplied

69

King Stingray, ‘Milkumana’ (2021)

King Stingray evolved their grassroots pub-rock stylings with disco-fied beats and bass alongside angular guitar outbursts in “Milkumana”.

Sung in both Yolnu and English, it’s a joyous, forward-looking song about unity and the potential of our influence on future generations.

It’s no wonder it struck a chord across the country and catapulted the band from ones-to-watch to full-blown influential rock status. —Andrew Mast

Delta Goodrem

Carlotta Moye

68

Delta Goodrem, ‘Born to Try’ (2002)

The song that launched a superstar.

Delta Goodrem’s debut is a timeless, piano-driven pop ballad built on an undeniable message of hope and perseverance. A multi-platinum Australian classic that defined the sound of early 2000s Australian pop. —Jade Kennedy

Spiderbait

Ian Laidlaw*

67

Spiderbait, ‘Black Betty’ (2004)

The ultimate pub-rock party starter of the mid-2000s.

While technically a cover of the traditional folk song (made famous by Ram Jam), Spiderbait completely re-engineered “Black Betty” into a ferocious, garage-punk monolith that belongs entirely to them.

Driven by the raw energy of Kram’s frantic drums and snarling, charismatic vocal delivery, the track became a multi-platinum, cultural phenomenon that has dominated the airwaves and concert venues for years. —Jade Kennedy

Amyl and the Sniffers

John Angus Stewart

66

Amyl and the Sniffers, ‘Hertz’ (2021)

A standout track from their second album Comfort to Me, “Hertz” pushed Amyl and the Sniffers into the global spotlight, so much so that they performed it for their US TV debut in 2022 on Late Night with Seth Meyers.

Comfort to Me was one of the best albums of 2021, which the band discussed at length with Rolling Stone AU/NZ last year.

The song shows the band at their best: jagged guitars, pounding drums, and the fierce vocals of frontwoman Amy Taylor. —Lauren McNamara

Genesis Owusu press shot

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65

Genesis Owusu, ‘Get Inspired’ (2022)

You know you’re talented when one of your best songs isn’t even on one of your albums.

Owusu casually dropped “Get Inspired” in 2022, tiding fans over between albums. It contains everything that has made Owusu one of the biggest names in Australian music in a matter of years: supremely self-confident vocals and lyrics aided by an intoxicating number of left-field genre turns. —Conor Lochrie

Tame Impala

Dana Trippe

64

Tame Impala, ‘The Less I Know the Better’ (2015)

The final track to be lifted off Currents, “The Less I Know The Better” remains Tame Impala’s most popular song globally

Adding a further new direction to the indie electronica explored on his third album, Parker injected a gentle funk groove into proceedings to create this slice of broken-hearted bliss. —Andrew Mast

Six60

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63

Six60, ‘Don’t Forget Your Roots’ (2011)

New Zealand heavyweights Six60 struck gold with 2011 single “Don’t Forget Your Roots”.

As well as reaching the top spot on the NZ Singles chart, the song was given the ultimate praise when Metallica performed it during their recent stadium show in Eden Park in November 2025. 

As Six60 have broken out of their home country and conquered stages worldwide, the proud Kiwi band have crucially never forgotten their own words: “Don’t forget your roots, my friend… Don’t forget your family, yeah.” —Neil Griffiths

The Avalanches

Grant Spanier*

62

The Avalanches ft. Blood Orange, ‘We Will Always Love You’ (2020)

The Avalanches’ first album gets a lot of the plaudits — and quite rightly, too — but their most recent album is just as excellent. The title track, featuring a stellar guest turn from Blood Orange, is a melancholic masterpiece. —Conor Lochrie

Amy Shark

Cybele Malinowski

61

Amy Shark, ‘Adore’ (2016)

“Adore” perfectly expresses the specific rush of crushing hard.

Shark turned that emotional turmoil into 2016’s arguably most relatable indie-pop anthem, and the song ballooned into a mainstream smash, peaking at No. 3 on the ARIA Singles Chart and landing at No. 2 on the Hottest 100 behind Flume’s “Never Be Like You”. It went 7x platinum, proving she had tapped into something universal. —Lauren McNamara

Bic Runga
60

Bic Runga, ‘Something Good’ (2002)

Topping her ’90s classic “Sway” was always going to be a difficult task for Bic Runga, but the New Zealand national treasure has given it a good go in the subsequent decades.

She probably came closest (so far) on “Something Good”, a summery pop anthem that roared up the charts in 2002. A pleasant string section enhances the song but its success chiefly belongs to Runga’s sweet and hopeful lyrics: “Something good will come our way / And maybe this good thing’s gonna happen today.” —Conor Lochrie

Tash Sultana
59

Tash Sultana, ‘Jungle’ (2016)

When Tash Sultana’s “Jungle” broke through, it wasn’t just a song: it was a dizzying, looping demonstration of world-class virtuosity.

The song is built entirely from layers of multi-instrumental genius, blending psych-rock, reggae rhythms, and indie soul into a hypnotic, expansive anthem. “Jungle” became the defining moment for Sultana, propelling them from a Melbourne busking sensation to a global headliner. —Jade Kennedy

Courtney Barnett Avant Gardner
58

Courtney Barnett, ‘Avant Gardner’ (2013)

Such an adorable pun title for such an anxiety-riddled song.

“Avant Gardner” was Courtney Barnett’s initial calling card. She simply retells the tale of experiencing a medical incident while gardening, but her words are poetry spilling from her mouth with a chilled ease: “I’m breathing but I’m wheezing, feel like I’m emphysem-ing.” While the mumblecore attitude catches your attention first, it’s the casual country-coded arrangement that reels you in.

What a way to announce yourself to the world. —Andrew Mast

RVG

Izzie Austin

57

RVG, ‘A Quality of Mercy’ (2017)

Big-hearted, narrative-driven rock at its finest.

Romy Vager imagined herself in the minds of the Bali Nine in order to write “A Quality of Mercy”. “Staring at the ceiling, feeling numb / Thinking about the readers of the Herald-Sun,” she sings.

Empathy runs right through RVG’s song, which showcases one of the most thoughtful lyrical minds in Australian music. —Conor Lochrie

Cut Copy

Tamar Levine*

56

Cut Copy, ‘Lights & Music’ (2008)

Another Modular artist waving the flag for electronic music in Australia, Cut Copy’s “Lights & Music” is still the Melbourne group’s most successful single to date on local charts. It followed the equally catchy synth-pop hit, “Hearts on Fire”, from their 2008 album, In Ghost Colours.

After dominating local dancefloors, “Lights & Music” went global when it featured in the iconic FIFA video game franchise. —Neil Griffiths

Marlon Williams

Steven Marr

55

Marlon Williams, ‘Aua Atu Rā’ (2025)

We named Marlon Williams’ profoundly personal Te Whare Tīwekaweka, his first record entirely in te reo Māori, as our favourite New Zealand album of 2025.

“Aua Atu Rā” is its high point, a swaying song inspired by ’60s Māori showbands that acted as a “guiding light” for the full album.

Williams and his collaborator KOMMI deservedly won this year’s Silver Scroll Award for “Aua Atu Rā”. Both it Te Whare Tīwekaweka are already modern Aotearoa classics. —Conor Lochrie

Bag Raiders
54

Bag Raiders, ‘Shooting Stars’ (2009)

An obvious and easy selection, which many tout as Australia’s best-ever dance song.

“Shooting Stars” quickly scored high rotation on radio and in nightclubs around the country, but its popularity was revived in 2016 thanks to a viral internet trend, which even Katy Perry used in her own music video. It went on to crack the US charts in 2017 and Australia got to fall in love with “Shooting Stars” all over again. —Neil Griffiths

Polaris

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53

Polaris, ‘Above My Head’ (2020)

One of the best bands to come out of Australia’s metalcore scene in the 2010s, you could really pick any songs from Polaris’ brilliant ARIA-nominated second album, The Death of Me, but the melodic genius and showstopping vocal performance from Jake Steinhauser in “Above My Head” deserves a special mention. —Neil Griffiths

Empire of the Sun

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52

Empire of the Sun, ‘We Are the People’ (2008)

Luke Steele’s aching vocal joins the quiet acoustic strum that is the “We Are The People” intro, and then the beat kicks in.

It’s an unassuming start to one of the most ubiquitous songs of the past two decades. Unfussy production is the key to what unfolds into a mournful pop singalong: “Are you gonna leave me now? / Can’t you be believing now?” Given the club music roots of Nick Littlemore, a myriad of remixes transformed the track perfectly for a long dancefloor life. —Andrew Mast

The Chats

Matt Walter*

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The Chats, ‘Smoko’ (2017)

Does it get more Aussie than The Chats? Probably not.

Before “Pub Feed” came along, “Smoko” was the definitive Chats song, which was accompanied by a viral-making music video.

“Smoko” is a proper punk rock anthem, one which perfectly captures the malaise of minimum wage work. —Conor Lochrie