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The Best Australian & New Zealand Songs of the 21st Century So Far

Presenting our favourite Australian and New Zealand songs of the 21st century so far, featuring Lorde, Kylie, Powderfinger, Stan Walker, and more

Photo illustration featuring Australian and New Zealand artists

Presenting the best Australian and New Zealand songs of the 21st century so far.

Our editorial team spent the past few months locked in debate, listening to as much music from across our two countries as possible.

After consulting with key industry figures and artists, we finally settled on a top 300.

“Curating a list of 300 from the past 25 years has been a wonderfully nostalgic and challenging feat for the team, and that is a testament to the incredible music Australian and New Zealand artists have produced this century,” says our Editor-in-Chief Neil Griffiths.

“From music royalty, to genre favourites, to the best up-and-coming talent, there’s something in this list for every Australia and New Zealand music fan.”

There were only a few rules, so as to keep the list as flexible as possible. We capped the number of songs per artist at three, in the interests of fairness; Kylie, Tame Impala, and The Beths, to name just a few, could have filled up the top 300 on their own. Artists had to be born in Australia and New Zealand, or based in either country for at least five years

The most important thing we kept in mind was the following: entry was not subject to popularity or airplay, but rather musical brilliance and originality.

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This is not a countdown of the biggest commercial hits of the century; far from it. There are lots of chart-topping singles, of course, but there are just as many indie and underground songs that we think sound as good as anything from the mainstream.

It’s important to note, for any keyboard warriors currently cracking their fingers in anticipation, that we know our list isn’t definitive: like comparing Maradona with Messi, Jordan with LeBron, working out if a streaming behemoth from 2021 is better or worse than a radio mainstay from 2002 is near-impossible.

But we think our top 300 does an excellent job of representing the incredible diversity of Australian and New Zealand music since the turn of the century.

You can trace, for example, the development of electronic music on these shores, from the early Modular acts to modern superstars like Dom Dolla and Alison Wonderland. You can compare the strengths of Aussie and Aotearoa hip-hop, from the old masters to new stars.

Some of our most seminal record labels are represented — think Milk!, Chapter, Dawn Raid — as are the genres and movements that defined the past few decades — think the pub-rock resurgence, the increased domination of drum and bass, and the underrated and maligned ‘dolewave’.

What we hope you get out of our list, more than anything, is a renewed love of music discovery — that’s what putting it together did for us. We hope you find a song by your new favourite artist and then support them the next time they play a show in your town; we hope you remember just how good that old band your family used to play constantly on car journeys actually are. In this era of stan culture and algorithmic playlists, breaking out of our bubbles and listening to new songs has never been more important.

In other words, have fun! Read on, turn up the music, and explore to your heart’s content. —Conor Lochrie

Blurbs written by Neil Griffiths, Conor Lochrie, James Jennings, Jade Kennedy, Lauren McNamara, Alec Jones, Andrew Mast

Courtney Barnett Avant Gardner
58

Courtney Barnett, ‘Avant Gardner’ (2013)

Such an adorable pun title for such an anxiety-riddled song.

“Avant Gardner” was Courtney Barnett’s initial calling card. She simply retells the tale of experiencing a medical incident while gardening, but her words are poetry spilling from her mouth with a chilled ease: “I’m breathing but I’m wheezing, feel like I’m emphysem-ing.” While the mumblecore attitude catches your attention first, it’s the casual country-coded arrangement that reels you in.

What a way to announce yourself to the world. —Andrew Mast

RVG

Izzie Austin

57

RVG, ‘A Quality of Mercy’ (2017)

Big-hearted, narrative-driven rock at its finest.

Romy Vager imagined herself in the minds of the Bali Nine in order to write “A Quality of Mercy”. “Staring at the ceiling, feeling numb / Thinking about the readers of the Herald-Sun,” she sings.

Empathy runs right through RVG’s song, which showcases one of the most thoughtful lyrical minds in Australian music. —Conor Lochrie

Cut Copy

Tamar Levine*

56

Cut Copy, ‘Lights & Music’ (2008)

Another Modular artist waving the flag for electronic music in Australia, Cut Copy’s “Lights & Music” is still the Melbourne group’s most successful single to date on local charts. It followed the equally catchy synth-pop hit, “Hearts on Fire”, from their 2008 album, In Ghost Colours.

After dominating local dancefloors, “Lights & Music” went global when it featured in the iconic FIFA video game franchise. —Neil Griffiths

Marlon Williams

Steven Marr

55

Marlon Williams, ‘Aua Atu Rā’ (2025)

We named Marlon Williams’ profoundly personal Te Whare Tīwekaweka, his first record entirely in te reo Māori, as our favourite New Zealand album of 2025.

“Aua Atu Rā” is its high point, a swaying song inspired by ’60s Māori showbands that acted as a “guiding light” for the full album.

Williams and his collaborator KOMMI deservedly won this year’s Silver Scroll Award for “Aua Atu Rā”. Both it Te Whare Tīwekaweka are already modern Aotearoa classics. —Conor Lochrie

Bag Raiders
54

Bag Raiders, ‘Shooting Stars’ (2009)

An obvious and easy selection, which many tout as Australia’s best-ever dance song.

“Shooting Stars” quickly scored high rotation on radio and in nightclubs around the country, but its popularity was revived in 2016 thanks to a viral internet trend, which even Katy Perry used in her own music video. It went on to crack the US charts in 2017 and Australia got to fall in love with “Shooting Stars” all over again. —Neil Griffiths

Polaris

Supplied

53

Polaris, ‘Above My Head’ (2020)

One of the best bands to come out of Australia’s metalcore scene in the 2010s, you could really pick any songs from Polaris’ brilliant ARIA-nominated second album, The Death of Me, but the melodic genius and showstopping vocal performance from Jake Steinhauser in “Above My Head” deserves a special mention. —Neil Griffiths

Empire of the Sun

Supplied

52

Empire of the Sun, ‘We Are the People’ (2008)

Luke Steele’s aching vocal joins the quiet acoustic strum that is the “We Are The People” intro, and then the beat kicks in.

It’s an unassuming start to one of the most ubiquitous songs of the past two decades. Unfussy production is the key to what unfolds into a mournful pop singalong: “Are you gonna leave me now? / Can’t you be believing now?” Given the club music roots of Nick Littlemore, a myriad of remixes transformed the track perfectly for a long dancefloor life. —Andrew Mast

The Chats

Matt Walter*

51

The Chats, ‘Smoko’ (2017)

Does it get more Aussie than The Chats? Probably not.

Before “Pub Feed” came along, “Smoko” was the definitive Chats song, which was accompanied by a viral-making music video.

“Smoko” is a proper punk rock anthem, one which perfectly captures the malaise of minimum wage work. —Conor Lochrie