Best Australian and New Zealand Music of the Week: Aldous Harding, PNAU, Tkay Maidza and More

Jonathan Bree returns with a taste of his forthcoming album, Don’t Call It Love.

New single “Savour My Love” is a typically cinematic slice of art-pop from the Aotearoa-based artist.

Rachel Clarke, described as “New Zealand’s best kept secret” in a press release, provides lead vocals on the track.

Watch the accompanying music video below. The clip, co-directed by Bree alongside James Milne (Lawrence Arabia), draws on the theatricality of Cher’s variety show.

Bree’s classic song “You’re So Cool” featured in our Best Australian & New Zealand Songs of the 21st Century So Far list last year.

WHO SHOT SCOTT continues building to his debut album with “PEAKED IN HIGH SCHOOL”.

The all-caps title is fitting, because “PEAKED IN HIGH SCHOOL” is a high-energy, UKG-laced anthem that deserves to be listened to at full volume.

“To me, this track is a sincere empowerment song beneath all the frantic energy,” the Tāmaki Makaurau-based rapper and artist shares. “Growing up, the thing I was bullied for most was wanting to make music. Kids would stand outside my house blasting my early tracks on speakers for the whole neighbourhood to hear, laughing at me.

“There were parts of school I couldn’t walk through without facing intense ridicule. All these years later, art and music is still my life, and I am still just as in love with it as I’ve ever been (if not more).

“In a strange way, I’m grateful to those early experiences — they built resilience in me that I’ve come to appreciate deeply. Every slight, every moment of embarrassment… I’ve repurposed it into something powerful.”

The track features on HAIRY, WHO SHOT SCOTT’s debut album that drops on June 5th.

Aldous Harding’s fifth studio album is already an album of the year contender.

Train on the Island was recorded at Rockfield Studios in Wales with longtime collaborator John Parish (PJ Harvey, Dry Cleaning), the 10-track release continuing a working relationship that has shaped Harding’s recent albums Party (2017), Designer (2019), and Warm Chris (2022).

Across Train on the Island, Harding is joined by various musicians including pedal steel player Joe Harvey-Whyte, harpist Mali Llywelyn, synth artist Thomas Poli, and drummer Sebastian Rochford (Polar Bear).

Critics are already highly praising Harding’s album, including Pitchfork awarding it Best New Music.

Ringlets return with their first single of the year, “Hard Evidence”.

The song was recorded over a day at Roundhead Studios with producer extraordinaire De Stevens, which is more time than the post-punk band have traditionally allotted for a single track.

Watch the accompanying music video, directed by Martin Sagadin, below.

Ringlets just kicked off a massive 28-date run across the UK and Europe, including appearances at The Great Escape and ArcTanGent. They recently completed their first Australian tour which culminated in eight sold-out shows.

Already counting MJ Lenderman as an admirer, Te Whanganui-a-Tara alt-country-rock outfit Menzies release their highly anticipated debut album.

Holding My Cold Hand, Even Though Yours Is Warm is a part-concept record, playing out as an Interislander crossing between Aotearoa’s north and south islands, with real overheard intercom announcements even sprinkled throughout.

The songwriting helps make it a great Aotearoa record, touching on the All Blacks, Suzy Cato, Don McGlashan, and much more.

Tkay Maidza returns with her second release of the year, “Pressed”.

Maths Time Joy provides a hypnotic, Afrobeat groove, with Tkay flexing her lyrical muscles with bars about relationship and much more.

“House music is a big part of my artistic DNA, and I’ve been really excited by Amapiano lately, as it originates from South Africa like me,” Tkay explains. “I just wanted the opportunity to go explore different types of vocal styles but also come back to the house flows that I was always really excited about.”

Tkay’s most recent album, Sweet Justice, secured her the award for Best Soul/R&B Release at the 2024 ARIAs.

PNAU announce their new album AHHCade with a stunning new single.

“Nirvana” is a collaboration with EARTHGANG and sadMONTH, the latter being a “daring new project” from PNAU’s Nick Littlemore and Toronto’s Dom Dias.

“’Nirvana’ represents the birth of a new era,” Littlemore, who makes up PNAU with Peter Mayes, explains. “It’s fierce, feverish and harks back to the shape of punk electronic yet to come. Get ready to be uptight, upgrooved and unhinged for a new disorder.”

US hip-hop duo EARTHGANG add, “For ‘Nirvana’ we tapped the euphoric and enlightened energy with PNAU, and surfed the electro crush. We appreciate everybody who poured their energy into making it a banger.”

The Australian-born, US-based duo’s seventh studio album arrives on July 31st.

Angus & Julia Stone announce new album Karaoke Bar with its title track.

The album was created across multiple locations in Greece, France, and Australia.

The sibling duo wrote the track while travelling abroad, reflecting on the feeling of a night out on the Greek Island of Hydra, near the former home of iconic singer-songwriter Leonard Cohen.

“It was a magical time on one of the strangest and most beautiful islands we’ve ever been to,”Angus recalls.

Julia adds: “A night out at a karaoke bar can hold so much goodness… that’s what the song is about. Everyone has the chance to be heard. And it’s so often more than that, a moment of real connection. We’re together, singing with a roomful of strangers, and the things that normally separate us, fall away.”

Gumbaynggirr and Noongar artist Emma Donovan shares her powerful new album.

Take Me to the River is a deeply personal and culturally resonant body of work, with Donovan reconnecting with memory and place — guided by the enduring presence of water as a source of healing, community, and spirit.

It’s a covers album, featuring Donovan’s takes on soul classic by the likes of Al Green, Aretha Franklin, and the late, great Archie Roach.

 “These songs chose me as much as I chose them,” Donovan explains. “The river has always been central to my life — it’s where we gathered, where we healed, where we sang. Taking these songs back to the water felt like the most natural thing in the world. I wanted to honour the writers who carried these words first, and find what was always mine inside them.”