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All 274 of Taylor Swift’s Songs, Ranked

From teen country tracks to synth-pop anthems and rare covers, a comprehensive assessment of her one-of-a-kind songbook

Taylor Swift

Taylor Swift the celebrity is such a magnet for attention, she can distract from Taylor Swift the artist. But Swift was a songwriter before she was a star, and she’ll be a songwriter long after she graduates from that racket. It’s in her music where she’s made her mark on history — as a performer, record-crafter, guitar hero and all-around pop mastermind, with songs that can leave you breathless or with a nasty scar. She was soaring on the level of the all-time greats before she was old enough to rent a car, with the crafty guile of a Carole King and the reckless heart of a Paul Westerberg — and she hasn’t exactly slowed down since then.

So with all due respect to Taylor the myth, the icon, the red-carpet tabloid staple, let’s celebrate the real Taylor — the songwriter she was born to be. Let’s break it down: all 243 tunes, counted from the bottom to the top. The hits, the flops, the deep  cuts, the covers, from her raw 2006 debut as a teen country ingenue right up to Midnights and The Tortured Poets Department. 

Every fan would compile a different list—that’s the beauty of it. She’s got at least 5 or 6 dozen songs that seem to belong in her Top Ten. But they’re not ranked by popularity, sales or supposed celebrity quotient — just the level of Taylor genius on display, from the perspective of a fan who generally does not give a rat’s nads who the songs are “really” about. All that matters is whether they’re about you and me. (I guarantee you are a more fascinating human than the Twilight guy, though I’m probably not.)

Since Taylor loves nothing more than causing chaos in our lives, she’s re-recording her albums, including the outtakes she left in the vault before. So far, she’s up to Fearless, Red, Speak Now, and 1989 For the Taylor’s Version remakes, both versions count as the same song. It’s a tribute to her fierce creative energy — in the past couple years she’s released an avalanche of new music, with more on the way. God help us all.

Sister Tay may be the last true rock star on the planet, making brilliant moves (or catastrophic gaffes, because that’s what rock stars do). These are the songs that sum up her wit, her empathy, her flair for emotional excess, her girls-to-the-front bravado, her urge to ransack every corner of pop history, her determination to turn any chorus into a ridiculous spectacle. So let’s step back from the image and pay homage to her one-of-a-kind songbook — because the weirdest and most fascinating thing about Taylor Swift will always be her music.

From Rolling Stone US

180

“Drops of Jupiter” (2011)

I mistakenly thought this Train hit was deep-fried garbage until I heard Swift’s version and realized, “Hey, she’s right – this is the best soy latte I’ve ever had!” Props to Tay for bringing out the hidden greatness in this song – the stargazing lyrics and her voice go together like Mozart and tae bo. (The astrophysicist in my life would like me to point out that you can’t “make it to the Milky Way” because that’s the galaxy we already live in. In fact, you couldn’t leave the Milky Way if you tried. Science!)Best line: “Tell me, did Venus blow your mind?”

179

“The Very First Night” (2021)

An easy Red vault track to overlook, but the dance-pop zoom of “The Very First Night” could have fit right on 1989. It makes a worthy part of the trilogy with “Come Back…Be Here” and “Message in a Bottle.” She’s causing trouble up in hotel rooms with a jet-set rock-star boyfriend — a predicament she’d explore in detail more later.Best line: “Don’t forget about the night in L.A./Dance in the kitchen, chase me down the hallway.”

178

<strong>“Question…?</strong>” (2022)

A very Taylor dilemma: “Does it feel like everything’s just like second-best after that meteor strike?” She gives a hint about this meteor by opening the song with a sample from “Out of the Woods.” Taylor cross-examines an ex with a slew of questions, although she wishes she didn’t already know the answers. There’s a great flashback to “Betty” in the chorus, when two lovers kiss in a crowded room, in front of all their stupid friends.Best line: “It was one drink after another/Fucking politics and gender roles.”

177

“Haunted” (2010)

Enchanted to meet you, Goth Taylor. We’ll meet again.Best line: “Something keeps me holding on to nothing.”

176

“Can’t Stop Loving You” (2019)

When Taylor stopped into the BBC’s Live Lounge, she had a surprise up her sleeve: This Eighties pop aficionado busted out a Phil Collins cover, against all odds. “Can’t Stop Loving You” is a 1970s obscurity that Phil turned into a sleeper hit in 2002. As Taylor explained, “I remember driving around Nashville when I first had my driver’s license just screaming the words to this song.” It’s perfect for her — for one thing, it’s about crying in the back of a taxi. If Taylor wants to keep digging into the Phil catalog, maybe she’ll cover “I Don’t Care Anymore.”Best line: “Got your leaving smile.”

175

“Electric Touch,” With Fall Out Boy (2023)

This Fall Out Boy duet came out ten years—minus a week—after Patrick Stump joined her onstage in New Jersey, on the Red Tour, for “My Songs Know What You Did In The Dark.” At first “Electric Touch” might sound like a horrific mismatch (what, Boys Like Girls were busy?) but it all explodes in the fantastic bridge, when they milk the giant proto-“Treacherous” hook, “It’s 8:05 and I see two headliiiights.” The way she turns “lights” into a ten-second song in itself? That’s our girl, kinda like the way she decides this first date is “forever” before he’s even gotten out of the damn car.Best line: “Your electric touch could fill this ghost town up with life.”