The Jungle Giants Showcase a Kaleidoscopic Futurism with ‘Love Signs’
Posted in: Music Album Reviews
On their first album in four years, The Jungle Giants show that they're still as adept as ever when it comes to crafting perfect indie-pop.
The ‘Space Jam: A New Legacy’ Soundtrack Is an Insult to Children
Posted in: Music Album ReviewsA galaxy of stars comes out to service a manufactured pop moment
Darren Cross Escapes Into a Musical Utopia with ‘DISTORDER’
Posted in: Music Album ReviewsRecorded in the second week of July, and released in the fourth, Darren Cross has once again stepped up his game on DISTORDER.
Chet Faker Showcases Newfound Strength with ‘Hotel Surrender’
Posted in: Music Album ReviewsAs Nick Murphy releases his first new Chet Faker album in seven years, it's clear that he's one of Australia's finest artists.
Vince Staples’ Self-Titled LP Is a Concise Study in Peril and Paranoia
Posted in: Music Album ReviewsTeaming up with producer Kenny Beats, the Long Beach rapper pilots a shadowy world with forlorn determination
Bobby Gillespie and Jehnny Beth Capture the Awkwardness of Divorce on ‘Utopian Ashes’
Posted in: Music Album ReviewsWith moments of beauty and a few songs that make you want to scream primally, the collaboration never rises to either artist’s full potential
Hiatus Kaiyote’s ‘Mood Valiant’ Showcases Strength and Power
Posted in: Music Album ReviewsMood Valiant serves as an indicator of triumph for Melbourne future soul champions Hiatus Kaiyote. And it's been a long time coming.
Tom West Takes Us Low and High on ‘I’m Livin’!’
Posted in: Music Album ReviewsTom West delivers tracks born out of personal lows and career highs.
Drown This City’s third EP ‘Colours We Won’t Know’ is essential listening
Posted in: Music Album ReviewsThe Melbourne quintet's latest EP 'Colours We Won't Know' is a must-listen for fans of all things heavy.
Crowded House Leave an Indelible Mark With ‘Dreamers Are Waiting’ LP
Posted in: Music Album ReviewsA product of 2020, the record found itself completed in isolation, though it feels as communal and welcoming as any Crowded House album ever could.
