
‘Good One’ Is Pure Brooklyn Sad-Dad Catnip — and a Great Movie
Writer-director India Donaldson's debut drops a young woman in the middle of a middle-aged male malaise-fest, and immediately stakes a claim as one of the best movies of the year

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Writer-director India Donaldson's debut drops a young woman in the middle of a middle-aged male malaise-fest, and immediately stakes a claim as one of the best movies of the year

We'd say it's the worst video game movie ever — but that's way too limiting

The official MCU/X-Men crossover has arrived — along with enough meta-cameos, dead-franchise resurrections, punchlines involving 'The Music Man' and pegging, corporate synergy, and fan service to crack a genre in half

Sequel to 1996 blockbuster won't blow you away, but it does give you a chance to watch Glen Powell and Daisy Edgar-Jones channel that old disaster/action-movie feeling

"Creepy" does not begin to describe director Osgood Perkins' take on an FBI agent tracking a mass murderer — or Nicolas Cage's WTF performance

It has two real-deal movie stars, a sharp premise about marketing the space race and a ring-a-ding retro 1960s vibe. So why does nothing about this movie work?

Franchise prequel rewinds to the beginning and watches as an extraordinary Lupita Nyong'o and her cat navigate a postapocalyptic Manhattan for survival... and a really good uptown slice

Pixar's sequel to one of its best movies ups the emotional ante by tackling teenhood, including the negative parts. Especially the negative parts

The star and director/longtime buddy Richard Linklater turn a true story of a mild-mannered guy pretending to be a professional killer into a screwball crime-comedy hit

It’s not like we didn’t know about the real-estate-mogul/reality-TV president’s horrible early years with Roy Cohn — but this Cannes Film Festival entry doesn’t pull punches