
‘The Brutalist’ Is a New Great American Masterpiece
Clocking in just under four hours and channeling the vibe of 1970s epics, Brady Corbet's story of an architect struggling to realize a dream project is an instant classic
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Subscribe NowClocking in just under four hours and channeling the vibe of 1970s epics, Brady Corbet's story of an architect struggling to realize a dream project is an instant classic
The return of the Ghost With the Most is anything but DOA — so why does this decent follow-up to the 1986 cult classic still feel like a letdown?
This latest addition to the enduring horror/sci-fi franchise uses the 1979 classic as a back-to-basics touchstone — and ends up coming off more like an overly reverent tribute.
Writer-director India Donaldson's debut drops a young woman in the middle of a middle-aged male malaise-fest, and immediately stakes a claim as one of the best movies of the year
We'd say it's the worst video game movie ever — but that's way too limiting
The official MCU/X-Men crossover has arrived — along with enough meta-cameos, dead-franchise resurrections, punchlines involving 'The Music Man' and pegging, corporate synergy, and fan service to crack a genre in half
Sequel to 1996 blockbuster won't blow you away, but it does give you a chance to watch Glen Powell and Daisy Edgar-Jones channel that old disaster/action-movie feeling
"Creepy" does not begin to describe director Osgood Perkins' take on an FBI agent tracking a mass murderer — or Nicolas Cage's WTF performance
It has two real-deal movie stars, a sharp premise about marketing the space race and a ring-a-ding retro 1960s vibe. So why does nothing about this movie work?
Franchise prequel rewinds to the beginning and watches as an extraordinary Lupita Nyong'o and her cat navigate a postapocalyptic Manhattan for survival... and a really good uptown slice