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Beth B.’s documentary on the singer/provocateur/No Wave icon looks, sounds and feels like a Lydia Lunch song: raw, loud, unfiltered and unflinching
A surreal tale of maternal paranoia à la ‘Rosemary’s Baby’ feels like it never gets past its thinkpiece-headline ambitions — or knows quite what it wants to say
The latest from the animation juggernaut can’t compare to the company’s classics, but it still has its charms — and a sense of longing that strikes a chord
François Ozon’s latest tale of youthful gay love — in the heat of the summer — is pleasurably familiar
Vampy, stylish, and cruel: Emma Stone embodies the campy dognapper
The follow-up to John Krasinki’s out-of-nowhere horror hit continues the story — and feels like it’s a little too concerned with franchise-building for its own good
A collection of interviews with the last generation of Germans who lived through the Third Reich doubles as an urgent reminder to keep history from repeating itself
An undercover reporter tries to bait an ISIS recruiter and gets in over her head in this gimmicky it’s-all-happening-on-your-computer-screen thriller
Latest entry in the ‘Saw’ Cinematic Universe, featuring Rock and Samuel L. Jackson, keeps going down, and down, and down
Plenty of great side characters, but Guy Ritchie and Jason Statham are the names that matter most in this movie — obviously
