
‘News of the World’ Wants to be a New Classic Western
Tom Hanks, the Henry Fonda of our moment, clears the hurdles in director Paul Greengrass’ movie set in post-Civil War America

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Tom Hanks, the Henry Fonda of our moment, clears the hurdles in director Paul Greengrass’ movie set in post-Civil War America

in Emerald Fennell’s directorial debut, which skewers rape culture, no innocent bystanders are allowed

If only George Clooney, the director, could allow himself to get ridiculous and have a little more fun

The villainy represented here indeed feels Eighties: A dark riff on entrepreneurial self-help-y logic in its most bastard state

Julian Temple’s portrait of the Pogues singer is a rambling, messy, wild, sad and inspirational doc — in other words, a fine tribute to its subject

The third film in his pentalogy stars John Boyega as a representation of frustrated, upstanding, rational black masculinity

The second chapter of the five-film Small Axe, in which Steve McQueen attempts to excavate glimpses of black British life from the Sixties through the Eighties, is rooted in reggae

An exhaustive new documentary on Frank Zappa offers up a portrait of an artist as a walking contradiction

A what-if look at David Bowie’s brief tour of America at a pivotal, pre-Ziggy point in his career is a textbook case of how not to make a rock movie

George C. Wolfe’s screen adaption of the seminal August Wilson play also stars a stunning Chadwick Boseman, in his final film role, as ambitious horn player Levee