Every Walt Disney Animated Movie, Ranked

While Disney’s appeal extends to adults and children alike, few films provide such charming and sincere family entertainment as Winnie the Pooh. The 2011 film was completely overshadowed at the box office (opening against the last Harry Potter movie will do that), but the film, directed by Stephen Anderson and Don Hall, is chock-full of joy. It’s the perfect distillation of the spirit of A.A. Milne’s beloved stories: this is a warm hug in cinematic form. The animation — to date, it is Disney’s final traditionally hand-drawn film — is spectacular, particularly in Pooh’s (Jim Cummings) honey-fueled dream sequence. It’s a breezy 63 minutes, and not a second is wasted.

After Sleeping Beauty, Disney entered cost-cutting mode in the 1960s, ushering in a new process called xerography. The photocopying process led to harsh black outlines on characters but also saved a lot of time and money. Xerography meant the end of the entire ink and paint department. Remarkably, you’d never know One Hundred and One Dalmatians was made with budget in mind, because Ken Anderson’s art direction and edgier style match Sixties London effortlessly.One Hundred and One Dalmatians moves like jazz. Marc Davis’ monumental talent gave us an all-time great villain in the deranged Cruella De Vil (Betty Lou Gerson), who wants nothing more than to turn a group of adorable puppies into a glamorous fur coat. Bill Peet had worked at the studio since Snow White and finally got his chance to take the lead on the story, proving he was one of the great American storytellers. The film also proved Disney was capable of going in new directions — it was their first contemporary picture, and despite having a song (“Cruella De Vil”), it was the studio’s first non-musical.

The Emperor’s New Groove almost didn’t exist. Its tortured development hell rivals that of The Black Cauldron and might be even more dramatic. But unlike that misfire, The Emperor’s New Groove is a bona-fide masterpiece. It’s by a significant distance the funniest Disney film, blending exceptional visual gags, surrealism, and meta-humor into an unmatched package (the scene at Mudka’s Meat Hut is practically the definition of perfect comic timing).Yzma (an outstanding Eartha Kitt) brings down the house as the villain hellbent on Emperor Kuzco’s (David Spade) destruction. Disney struggled to find their identity in the wake of the Renaissance and fierce competition from other studios, but The Emperor’s New Groove held the blueprint for success.

The legendary story of true love’s kiss came to light in Disney’s first animated film, Snow White and the Seven Dwarfs. It holds the blueprint for so much of what makes Disney so beloved: a fantasy universe that feels believable, impactful songs, great characters, a terrifying villain, and breathtaking animation. Few villains are as downright evil as the Evil Queen (Lucille La Verne).This is the one that started it all — adjusted for inflation, it’s still the highest-grossing animated film of all time. The studio’s most ambitious film was its very first, and that’s because not a soul outside the project believed it would work. A feature-length animation was practically unheard of — animation was best left in short form. Who would ever watch such a thing? With something to prove, Walt Disney had a clear answer in Snow White: everyone.

Ron Clements and John Musker saved Disney from the brink with The Great Mouse Detective, yet they still managed to up the ante and bring the studio back into financial domination just a few years later with their second feature, The Little Mermaid. One of Disney’s most emotionally potent films, it has the finest stable of songs in any Disney picture, and that’s entirely thanks to the brilliant artistic collaboration between lyricist Howard Ashman and composer Alan Menken. The best Disney movies have the power to transport you to another world, and The Little Mermaid brings audiences straight into the underwater kingdom of Atlantica.Mermaid Ariel (Jodi Benson), who longs to explore beyond the sea and fall in love, is given more to do than any princess before her, and the emotional payoff of the film is off the charts. The underwater animation is breathtaking, and you have Ursula (Pat Carroll), the Divine-inspired sea witch making an unforgettable foe. Menken’s work with Ashman is some of the most impactful to ever grace the studio — if the studio lives on for another 100 years, people will still point to songs like “Poor Unfortunate Souls” and “Part Of Your World” as the very best Disney has to offer.

How do you follow up on the immense success of Snow White? If you’re Disney, it’s going bigger, bolder, and even darker. Adapting Carlo Collodi’s Pinocchio, this is a film full of wonder and horror. The story follows Pinocchio (Dickie Jones), a puppet desperate to become a real boy. The animation is unparalleled, with effects work that’s never been matched. Critically the film was adored, but children (understandably) found it far too frightening. Pinocchio’s legacy remains unmistakable, with the classic song “When You Wish Upon a Star” opening every modern Disney movie.Unfortunately for Disney, WWII shuttered access to European markets — a real shame considering the film’s heavy European influence — and the film tanked at the box office. But nowadays, Pinocchio is rightly recognized not just as one of the greatest animated films ever made, but as one of the great films period.

Walt Disney was an enormous advocate for nature and adapting Felix Staten’s Bambi was very much a passion project for him. Attention to detail and a focus on accuracy were essential: animators studied deer and other animals to make their animated counterparts feel as naturalistic and life-like as possible. The incredible backgrounds painted by Tyrus Wong immersed audiences deep into the forest, while the multiplane camera added remarkable depth and dimension to the animation.A seemingly simple coming-of-age story of a deer growing up in the forest, Bambi is an unrivaled exploration of animation as an art form. It made such an impact that the film’s most recalled scene — the death of Bambi’s mother — actually happens off-screen, despite it leaving such a mark that most people swear they see the death occur. There’s a surprising lack of sentimentality, which makes the emotional beats land harder than any other Disney movie. Bambi is the purest distillation of the power of animation and Walt Disney’s commitment to boundary-pushing and emotionally-driven storytelling. It creates an exquisitely drawn world of fantasy that feels completely believable. There’s simply nothing else like Bambi.