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70 Greatest Music Documentaries of All Time

Burning guitars, big suits, meeting the Beatles — the concert films, rockumentaries and artist portraits that stand head and shoulders above the rest

Photo Illustration by @photoeditorjoe. Images used in illustration: Kevin Estrada/MediaPunch/IPx/AP Images; Parkwood Entertainment/NETFLIX; Chris Walter/WireImage; Matt Dunham/AP Images; Val Wilmer/Redferns; David Lee/HBO; Amazing Grace LLC.

The movies have always loved giving actors the chance to play rock star or impersonate an iconic musician/singer, recreating those famous “Eureka!” studio moments and greatest-hits shows for any number of music biopics. When it comes to historical musical moments, however, there’s nothing like seeing the real thing. A number of documentarians saw the advantage of capturing a number of legendary artists and bands in their heyday and/or once-in-a-lifetime performances — partially for posterity, partially for plain old reportage and partially for the second-hand high of it all. And thanks to new access to archives and updated technology, a whole generation of filmmakers have come up learning the art of docu-portraits and genre breakdowns that run the gamut from sub-subgenres to broad stem-to-stern histories of rock, jazz and country-and-western. It’s never been easier to make a music documentary these days. Not all of them, of course, are created equal.

So in honor of Peter Jackson’s Get Back — a new six-episode look back at the Beatles putting together the album Let It Be even as they were beginning to fall apart — we’ve compiled a list of the 70 greatest music documentaries of all time: the concert films, fly-on-the-wall tour chronicles, punk and hip-hop and jazz time capsules, and career assessments of everyone from Amy Winehouse to the Who that have set the standard and stood the test of time. The last time we did this was in 2014, and to say that the form has produced a number of classics since then would be an understatement. Play this list loud.

From Rolling Stone US

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24

‘Elvis: That’s the Way It Is’ (1970)

Like his 1968 comeback special, this record of the preparations for Elvis Presley’s first tour in 13 years is a tale of two Elvises. There’s the cocky country boy, whose studio performances with his crack band tap the primal energy of his best performances; and the stage entertainer, swaddled in foot-long fringe and buttressed by a small army of backing singers. (At one point, he jokes to the Vegas crowd that he’s filming a movie called “Elvis Loses His Excess.”) The 2001 recut, just released on Blu-ray, strips away footage of fans to provide more of the King in his domain. —S.A.

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23

‘Depeche Mode 101’ (1989)

The gents from Essex may be a gloomy bunch on record, but this film about the final leg of the band’s 1988 American tour is positively buoyant. Rather than a straightforward concert film like his previous Ziggy Stardust, D.A. Pennebaker (along with partner Chris Hegedus) brings their fly-on-the-wall approach to the entire traveling circus — from nimble lighting technicians to giddy number-crunchers, and from pinball-obsessed Dave Gahan to equally charismatic fans en route to see the finale at the Rose Bowl. For once, rock & roll isn’t presented as a spectacle of Dionysian excess, but of good — if not entirely clean — fun. —E.H.

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22

‘The T.A.M.I. Show’ (1964)

Justly celebrated for its incandescent performances by James Brown and the Rolling Stones — who chose, unwisely, to play after him — The T.A.M.I. Show‘s overview of “teenage music” circa 1964 serves as a primer in the tensions that would shortly rip the culture wide open. The variety-show staging and the goofy intros by emcees Jan and Dean act as a security blanket for anxious parents, assuring them that this rock & roll madness won’t get too out of hand. But by the time Brown and the Stones have worked their will on the crowd, you can feel a riot coming on. SA

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21

‘Awesome; I Fuckin’ Shot That!’ (2006)

Sure, the Beastie Boys could have hired D.A. Pennebaker or Jonathan Demme to film their Madison Square Garden concert on October 9th, 2004 — or they could just give 50 attendees digital cameras, let them shoot the show and then see what comes back. Subtitled “an authorized bootleg,” this crowd-sourced performance movie technically lists Nathaniel Hornblower (a.k.a. the lederhosen-wearing alter ego of baritoned Beastie Adam Yauch) as the director — but it really is a fans-eye view of a great show and the ultimate testament of the trio’s belief in D.I.Y. empowerment. Plus you get to see the Beastie Boys at the Garden, cold-kickin’ it live. Rest in peace, MCA. —D.F.