Every week, Rolling Stone AU/NZ brings you the best new sounds from Australian artists.
Catch up on our past coverage of Baker Boy, DEVAURA, and Tamara & the Dreams.
Here’s what else you might have missed last week:
Sarah Mary Chadwick – “Take Me Out to a Bar”
The second single from Sarah Mary Chadwick’s forthcoming album, Take Me to a Bar / What Am I, Gatsby?, this sombre track explores themes of unreciprocated love and self-worth through a narrator longing for intimacy with someone who belongs to another. This is a tragic short story in the form of a song – and intensely relatable.
SHOUSE – “Call My Name”
“Call My Name” completes the trilogy that began with “Love Tonight” and “Won’t Forget You” — SHOUSE describe the three songs as being about “connection, voices in the dark, moments of devotion, and the electricity of being together,” adding: “This one is the imprint, the echo that won’t settle, the call that lingers long after the collective ecstasy fades.”
Guy Blackman – “Don’t Ask Don’t Tell”
Recorded in London and Melbourne with Liam Parsons and Stefan Blair (Good Morning), this bittersweet yet catchy single features Laura Jean on backing vocals and funky bass from Liam Halliwell (Snowy Band). The release is accompanied by a funny and touching video filmed in Perth by David West (Rat Columns, Lace Curtain).
Jess Ball – “Over You”
Mixing hypnotic drum and bass rhythms with ’90s-inspired energy, “Over You” draws influence from Dua Lipa, LAUREL, and a hint of Robyn’s magic. The track balances the euphoria of the dancefloor with the ache of heartbreak, as Ball’s vocals soar over nostalgic melodies and pulsing beats.
Tyne-James Organ – “Comedown”
Organ’s latest single captures the highs and lows of substance use, blending personal experience with observations of a friend’s struggles. Created with Chris Collins using unconventional percussion like guitar cases and kitchenware, the track follows “One Way Ticket” and “Blue”, continuing their strong studio chemistry that previously landed “All on Me” on triple j’s Most Played and Spotify’s Best of Front Left 2024.
Ruby Gill – “Emmagen Creek”
Described as “the only love song I’ve ever written without fear,” Gill’s new single explores the feeling of absolute love, offering a glimpse into upcoming album, Some Kind of Control (March 28th). Featuring tracks like “Touch Me There”, the album is set to be a raw, intimate exploration of body, queerness, and self-determination, showcasing Gill’s witty lyricism and fearless honesty.
Esha Tewari – “empty pages”
Tewari’s emotionally tender single reflects on the regret and guilt of losing a loved one, with lyrics like, “But I run the risk of losing breath on empty pages.” Paying homage to Jeff Buckley, the song offers a heartfelt tribute to those carrying the weight of loss.
Tjaka – “In a Box”
Fresh from BIGSOUND and SXSW Sydney showcases, the Brisbane trio debut the first single from their forthcoming EP, adding another dynamic layer to their high-energy back catalogue.
Parcels – “Safeandsound”
“Safeandsound” radiates confidence and optimism, inspired by a podcast about embracing life’s uncertainties, reflecting guitarist Jules Crommelin’s personal journey of moving to Sydney. The track, recorded live at Golden Retriever Studios, is accompanied by a special live session and captures a sense of belonging and joy in the present moment.
Atlas Franklin Alexander – “New Remedy”
Atlas Franklin Alexander’s new track blends ethereal vulnerability with psych-pop and atmospheric elements, drawing inspiration from artists like Peter Gabriel, Radiohead, and Tame Impala. It’s a raw exploration of confusion and the search for clarity.
Worm Girlz – “Jackie”
“Jackie” is a fierce protest song against oppressive power structures, particularly within the music industry, driven by raw guitars and tense, cult horror-inspired energy. Jade, the band’s guitarist/vocalist, describes it as a reflection of the fear and frustration felt by those battling against powerful forces, creating an intentionally uncomfortable and dramatic atmosphere: “Jackie is all of us (except the billionaires, you are not invited) against those who have more power than us.”
Mikayla Pasterfield – “Heritage Listed”
“Heritage Listed” blends affection and frustration, capturing the universal feeling of being torn between the comfort of home and the desire for something more. With hints of Lizzy McAlpine and Noah Kahan, Pasterfield’s track navigates the tension of wanting to break free from one’s hometown while acknowledging the pull of returning.
Deadshowws – “I Should”
A cathartic, roaring alternative-emo track driven by distorted guitars, intense crash cymbals, and Connor Massey’s anguished vocals, “I Should” is inspired by punk, hardcore, and 2000s emo. The track explores the internal battle of seeking help while struggling with self-imposed hopelessness.
The Audreys – “Beatles V Stones”
Inspired by the rivalry between fans of The Beatles and The Rolling Stones, “Beatles V Stones” blends tranquil melodies with swooning instrumentation and a 12/8 country time signature reminiscent of Jason Isbell. Written mostly by Taasha Coates, the song explores her personal connection to the debate, with contributions from guitarist Tom Kneebone adding harmonic depth.
Olivia’s World – Greedy & Gorgeous
Olivia’s World’s debut album Greedy & Gorgeous explores the pursuit of beauty, self-care, and authenticity, with lead guitarist Alice Rezende navigating the complexities of body-mind balance and modern health discourse. The album delves into both the carnal and the spiritual, questioning societal ideals while offering a raw reflection on self-identity and desire.
