Glen Campbell, the indelible voice behind 21 Top 40 hits including “Rhinestone Cowboy,” “Wichita Lineman” and “By the Time I Get to Phoenix,” died Tuesday. He was 81. A rep for Universal Music Group, Campbell’s record label, confirmed the singer’s death to Rolling Stone. During a career that spanned six decades, Campbell sold over 45 million records. In 1968, one of his biggest years, he outsold the Beatles.
“It is with the heaviest of hearts that we announce the passing of our beloved husband, father, grandfather, and legendary singer and guitarist, Glen Travis Campbell, at the age of 81, following his long and courageous battle with Alzheimer’s disease,” the singer’s family said in a statement.
Campbell was a rare breed in the music business, with various careers as a top-level studio guitarist, chart-topping singer and hit television host. His late-career battle with Alzheimer’s – he allowed a documentary crew to film on his final tour for the 2014 award-winning I’ll Be Me – made him a public face for the disease, a role President Bill Clinton suggested would one day be remembered even more than his music.
“He had that beautiful tenor with a crystal-clear guitar sound, playing lines that were so inventive,” Tom Petty told Rolling Stone during a 2011 profile of Campbell. “It moved me.”
Campbell was born in 1936 in Billstown, Arkansas, the seventh son in a sharecropping family of 12 kids. “We used to watch TV by candlelight,” Campbell told Rolling Stone in 2011.
In his youth, Campbell started playing guitar and became obsessed with jazz guitarist Django Reinhardt. He dropped out of school when he was 14 and moved to Wyoming with an uncle who was a musician, playing gigs together at rural bars. He soon moved to Los Angeles and by 1962 had solidified a spot in the Wrecking Crew, a group of session pros. In 1963 alone, he appeared on 586 cuts and countless more throughout the decade, including the Byrds’ “Mr. Tambourine Man,” Elvis Presley’s “Viva Las Vegas,” Merle Haggard’s “Mama Tried” and the Righteous Brothers’ “You’ve Lost That Lovin’ Feeling.”
“I’d have to pick cotton for a year to make what I’d make in a week in L.A.,” he said. “I learned it was crucial to play right on the edge of the beat … It makes you drive the song more. You’re ahead of the beat, but you’re not.” Fellow Wrecking Crew member Leon Russell called Campbell “the best guitar player I’d heard before or since. Occasionally we’d play with 50- or 60-piece orchestras. His deal was he didn’t read [music], so they would play it one time for him, and he had it.”
In late 1964, Brian Wilson had a nervous breakdown on tour with the Beach Boys, and the band called on Campbell to replace him on bass and high harmonies. “I took Brian’s place and that was just … I was in heaven then – hog heaven!” Campbell remarked.
“He fit right in,” said Wilson. “His main forte is he’s a great guitar player, but he’s even a better singer than all the rest. He could sing higher than I could!” Wilson even wrote an early song, “I Guess I’m Dumb,” for Campbell. His first hit was a cover of Buffy Sainte-Marie’s antiwar song “Universal Soldier.” But Campbell’s own political views tended to be conservative. “The people who are advocating burning draft cards should be hung,” he said in 1965.
Campbell had his first major hit in 1967, with “By the Time I Get to Phoenix,” written by Jimmy Webb, an L.A. kid with a knack for intricate ballads. “Glen’s vocal power and technique was the perfect vehicle for these, in a way, very sentimental and romantic songs. And I think that you know we made some records that were very nearly perfect. ‘Wichita Lineman’ is a very near perfect pop record,” Webb said. “I think in the process that Glen was a prime mover in the whole creation of the country crossover phenomenon that made the careers of Kenny Rogers and some other… many other artists possible.”
The tune kicked off a working relationship that included the haunting Vietnam War ballad “Galveston,” the tender “Gentle on My Mind” and “Wichita Lineman,” Campbell’s first Top 10 hit. With swelling orchestral arrangements and slick production, the songs weren’t exactly considered hip in the Sixties. “They felt packaged for a middle-of-the-road, older crowd,” said Tom Petty. “At first, you go, ‘Oh, I don’t know about that.’ But it was such pure, good stuff that you had to put off your prejudices and learn to love it. It taught me not to have those prejudices.” In 1968, Campbell won Grammys in both the country and pop categories, including Best Country & Western Solo Vocal Performance, Male, Best Country & Western Song and Best Vocal Performance, Male.
In the summer of 1968, Campbell guest hosted the Smothers Brothers Comedy Hour. The successful appearance led to his own variety show, The Glen Campbell Goodtime Hour, which he hosted from 1969 until 1972. Artists like Ray Charles, Johnny Cash and Linda Ronstadt performed on the show, which also gave a national platform to rising country stars like Willie Nelson. “He exposed us to a big part of the world that would have never had the chance to see us,” said Nelson. “He’s always been a big help to me.”
A young Steve Martin was a writer on the show. “He just went along with it,” Martin said in I’ll Be Me. “He was completely game, and completely fun, and had kind of a down-home sense of humour. It was just an incredible treat for us young writers to be introduced to talent at that level at such a young age.”
Campbell’s boyish charisma led John Wayne to cast him in a co-starring role in 1969’s True Grit. He later said that his acting was so amateurish that he “gave John Wayne that push to win the Academy Award.” But the good times didn’t last: His show was canceled; his first feature film, 1970’s Norwood, flopped; and the hits dried up for a few years. Then, Campbell scored a smash with 1975’s “Rhinestone Cowboy.” It began a comeback that included hits “Country Boy (You Got Your Feet in L.A.”) and “Southern Nights.” The hits slowed down again in the Eighties; in the Nineties he opened up the Glen Campbell Goodtime Theatre in Branson, Missouri.
Campbell was married four times, and has five sons and three daughters. In the early 1980s, while battling alcoholism and cocaine addiction, Campbell made tabloid headlines with a 15-month, high-profile relationship with country singer Tanya Tucker, who was 22 years his junior. In 1981, he became a born-again Christian and in 1982 he married Kimberly Woollen, a Radio City Music Hall Rockette, who helped Campbell clean up his life.
In 2003, he was arrested for a hit-and-run, an incident that ended with him allegedly kneeing a police officer in the thigh right before he was released. Campbell pleaded guilty to extreme drunken driving and leaving the scene of an accident, and spent 10 days in jail.
In 2011, Campbell, then 75, revealed that he was diagnosed with Alzheimer’s disease. In June of that year, he announced he was retiring from music due to the disease. He released his final album of original music Ghost on the Canvas (with guests Billy Corgan, Paul Westerberg and Jakob Dylan) and embarked on a farewell tour with three of his children backing him.
He played 151 shows on his final tour. “The audience being there somehow triggers his ability to access that other part of his brain,” U2’s The Edge said. “It’s incredible.”
“This tour of his just says, ‘Here I am, here’s what’s happening to me,'” Clinton said. “‘I’m going out with a smile on my face and a song in my heart so you will know,’ – and that may be more of his enduring legacy than all the music he made.”
He spent his final years in an assisted living facility. His friends and children would often spend days with him playing him his old songs. “Music utilises all of the brain, not just one little section of it,” Woollen noted. “Everything’s firing all at once. It’s really stimulating and probably helped him plateau and not progress as quickly as he might have. I could tell from his spirits that it was good for him. It made him really happy. It was good for the whole family to continue touring and to just keep living our lives. And we hope it encourages other people to do the same.”
Earlier this year, Campbell released Adiós, his final studio album, a collection of mainly cover songs by Bob Dylan, Harry Nilsson and others, recorded after his Goodbye Tour. “Almost every time he sat down with a guitar, these were his go-to songs,” daughter Ashley Campbell told Rolling Stone Country. “They were very much engrained in his memory – like, so far back that they were one of the last things he started losing.”
“He had a beautiful singing voice,” Bruce Springsteen said in 2014. “Pure tone. And it was never fancy. Wasn’t singing all over the place. It was simple on the surface but there was a world of emotion underneath.”
